Drama In Eight-part Essay Research

Traditional Chinese opera is a kind of literary works that uses the characters in the opera’s text to represent the characters in the opera’s text and expresses the characters’ inner world with exquisite brushstrokes.The drama in eight-part essay was only a work of “Xixiang” and “The Peony Pavilion New Edition” as a newly discovered drama in eight-part opera,which provided an opportunity for a comprehensive and meticulous study of the drama.Prior to this,the academic community paid little attention to this phenomenon,and all of them were centered on the “Xixiang” manufacturing arts.In this paper,a comprehensive analysis of the style of the eight-part essay is conducted to discuss the value and significance of this phenomenon in the history of drama.Before the Ming Dynasty,operas were generally not valued by the official speech rights and traditional literary inheritors.At the time of the Song and Yuan Dynasties,the main part of the opera creation was the folk artists and the lower literati.From the Ming Dynasty to the present,the upper class literati gradually participated in the drama creation,which not only enriched the types of works,but also significantly changed the attitude and attitude of operas.The Ming Dynasty was also a period of gradual stereotypes and maturity.As the literati took the road to career,they must take the imperial examinations.The eight-part essay is the highlight of the expedition,and the eight-part essay can be straightforward and noble and glorious.Therefore,the literati in the Ming Dynasty actively participated in the creation of the eight-part essay.Traditional opera and eight-part essay prospered in the Ming Dynasty.The literati’s familiarity and mastery of the two literary styles were naturally the basis and soil of the drama’s eight-part essay.This article chooses the style of drama eight-strand text,analyzes and discusses.The article is divided into four parts:The first part: First of all,it analyzes the topic,significance and research status of the drama in eight-part essay.The academic community is now studying the drama of eight-birth articles only in the “Xixiang” production arts.This article discusses the eight-disc articles of traditional operas in combination with the newly discovered “The Peony Pavilion”.The second part: Explain the concept of “drama in eight-part essay”.Combining with the traditional eight-part essay,the author analyzes the characteristics of the drama in eight-part essay,and analyzes the author and content of the existing works in depth.The third part: The analysis of the causes of the eight-part dramas of operas is summarized as follows: the concept of literary dramas in the late Ming and early Qing dynasties,and the literati’s familiarity and mastery of the two styles of drama and eight-part essays.The fourth part: focuses on the value and significance of drama eight-parties in the history of Chinese drama.The significance of the discovery of "The Peony Pavilion New Edition",the unique value of the opera’s eight-part essay,and the eight genres of opera dramas are discussed in terms of the acceptance of opera literati in the late Ming and early Qing dynasty.Before the Ming Dynasty,the creators of operas had a low status.The upper class literati in Ming Dynasty wrote and expressed their emotions.The literati combine the traditional opera and the eight-disc compendium,and uses the characters of the eight-part genre to savor the drama.This is to tie the opera to the temple literature of the Eight-part Syllabus so as to gain a glimpse of the weight of the opera in the hearts of the literati in the Ming and Qing dynasties.It is important for the upgrade of the st atus of operas.prove.In short,the emergence of this characteristic literary work of the eight-disc drama is not accidental,it is the result of literary attention.