Experience About Drifting And Cultural Criticism:a Research On Qian Ge-chuan's Prose Creation

Qian Gechuan was born in the early 20 th century and matured in the turbulent 20 th and30s of the 20 th century,and was deeply influenced by Chinese and Western cultures.During his “May Fourth” period,he studied in Japan and returned to China to become a famous prose in Shanghai.This made him a universal and unique literary sample of 20 th century Chinese literature.However,due to various reasons,Qian GeChuan has always been ignored by the times.Throughout the life of Qian Gechuan,Peiping(a field not affiliated with “Residence”),Shanghai,southwest China,Taiwan,Singapore,and the United States formed his “landscape”.In his prose,he presupposed the subject discourse model,such as modern man's discourse(conversation with "local China" as modern man),rural discourse(discourse regression of a native Chinese model),"pure" self-discourse,and Youzi discourse.Such discourse patterns form the “dialogue model” in which the subject and the culture care about each other.Qian Gechuan gave each dwelling place a cultural symbolic meaning and built his own cultural imagination in the process of perceiving this cultural meaning.And this was actually the practice of Chin's self-questioning(determination).Culture,self,and utopia belong to one another in his cultural conception.His drifting life,"outsiders" identity consciousness extended his entire prose writing career(the writer seems to want to eliminate the wandering sense of loss in the way of identity externalization).He embed the edge of literature with a kind of "self".Regardless of where he went,he was always out of tune with his surroundings.He set himself apart from the reality by setting up a cultural identity.Eventually he lost his identity and did not know himself.Imagination was a unique and unique solution that can break through the predicament,but due to the limitations of thinking,"imagination" and "reality" are always mirror imaged but never overlapped.Peiping awakened the trauma of cultural memory that was buried in the soul of Qiangechuan.His wounds left a painful life.Therefore,even if he did not stay in Peiping,the city still became the key to his literary creation.Since then,his memory of history has been carved into every piece of his dwelling experience with time.Cultural identity is anirretrievable "addiction," which may seem frivolous but not serious,but it actually becomes a magic weapon for Qian Gechuan's lifetime breakthrough(self-seeking).When the identity of the “outsiders” is changed every time,he was close to the target(this should belong to the inner monologue of Qian Aichuan).Living in Shanghai,he spy on the “Chinese countryside”from the perspective of “urban people”,which became the starting point for his prose creation.At the same time,he placed himself in the position of “countryman” and picked up“modernity” as a whining.The two extremely opposite cultural identities seem to be unrelated,but they are concentrated in Qian Gechuan as an unidentifiable identity ambiguity,which stems from the misguided inertia of historical memory trauma.After the war,Qian Gechuan,who resided in the southwest of the country,blocked the nationwide influence of mainstream literature and went to the “Leng Yu” field to pursue “pure” literature and express himself.Taiwan's trip was originally bearing the historical legacy of “respecting the world”.However,the excitement of departure was poured out of the darkness of the workplace.Created as an expression of “disdain”,he exiles himself from landscape to landscape.The wanderers who live in strange lands and strange lands do not wish on this island.The homesickness has become a good medicine to comfort the soul.It is worth mentioning that when the writer left Taiwan,the island was eventually sublimated into an endorsement of the “homeland”.Qian Gechuan built his cultural imagination for the rest of his life.In his eyes,Singapore is a cultural "barbarian land," and the land is an area of Eastern culture,but it is deeply influenced by Western culture.Singapore's life moment inspired his sense of drift,a resentment arises spontaneously.After relocating to the United States,he reverted to "cultural China" in the imagination of "heterotopia" and ended the search for culture.But this is not the end,but an extraordinary literary dream.This article takes Qian Gechuan's dwelling experience as the starting point for the study,and uses Beijing,Shanghai,Southwest China,Taiwan,Singapore,and the United States as the field of literary investigation,taking care of the writer's individual life experience(psychological),and tries to This is the opportunity to build a research project of "Residence Experience and 20 th Century Chinese Literature".Therefore,the topic of this paper is a sub-topic under the care of the research topic of "Reuniting and the 20 th Century Chinese Literature." The paper is divided into five chapters.The first chapter mainly expounds QianGechuan's choice of style and the mode of identity and discourse construction of the burial experience writing;Chapter Two discusses the "tradition" and "modernity" represented by Peiping and Shanghai with the clue of "modernity".The historical traumatic position problem in culture;The third chapter focuses on the writer's southwest impetuous experience.In the flood of literature,the writer adheres to the "innocence" treason with "self" as the position;chapter IV settles on the Taiwanese dwelling in Qiangchuan.Experience,the writer resides in Taiwan Island,the mood changes,but he has a law of exile.The fifth chapter mainly discusses Qian Gechuan's foreign state dwellings,the pace of cultural(self)pursuit has not stopped,but it also "to stop here." Although the anxiety of Qian Gechuan's cultural identity is finally solved when he is abroad,it is actually not the best strategy.His “cultural China” return is only an ideological compromise that cannot be broken through.Although Qian Gechuan was often neglected by literary history,as an important stop for Chinese modern literary writers or phenomena to “salute”,the study of his prose creation thoughts can not only extend the topic of “Shanghai-based writer's literary creation abroad”,but also Rich in the study of Chinese literature in the 20 th century has certain literary value.