The Cultural Identity And Novel Creation Of Tibetan Women Writers In The Transitional Period

Tibetan woman writer of literary creation has long been mixed in mainstream writers literary creation and the male writers in the literary discourse hegemony slog,as they say in the literature of gender disadvantage and ZuBie of the edge. Until the1990 s, a group of growth in the transition of Tibetan women writers began to literary circles, and through his own creation gradually get rid of the edge of the Tibetan female literature double status. In the era of cultural globalization, this batch of the identity of the Tibetan female writer presents a composite rather than a single tendency. In this paper, based on this basis, to explore the discourse between race,gender and culture identity entanglements, examining the context of culture, cultural diversity, multiple identities for building landscape function and influence of multivariate literature. Under the mix of ethnic identity and female identity, this batch of women writers on the one hand, in the face of the era when the wave of change, to literary creation to reflect national ills, reconstruct the national spirit; On the other hand, a woman they will focus on Tibetan women, and in the narrative of the text on the fate of Tibetan women in one thousand to change and made a trace and explore the survival plight.In transition period as the research background, this paper with Tibetan woman writer and the novel text as the research object, to cultural identity as the breakthrough point. Through the investigation in the form of cultural identity and ethnic identity,female identity was generalized, mixed gender identity transition Tibetan woman writer in the form of three kinds of identity, and through the analysis of its text,compare them on the technique of narrative content and their different characteristics,reveals how the writers construct self identity in literary creation. And then mixed with Tibetan women writers to focus on the research object, the sexual identity in the intertexture of ethnic identity and female identity down the writer’s identity and the function of the relationship between narrative text. And from two aspects of national consciousness and female consciousness, the concrete around the female perspective rendering and a critique of the reconstruction of the national history, patriarchal culture and religious feelings of redemption, life consciousness of publicity, and analyzes the questions three viewpoints of modern civilization, reveal the writer in the creation consciously build eventually identify of ethnic identity and gender identity.Finally, further shows the writer from the narrative strategy under the dual identity, on the narrative language and narrative perspective of the characteristics and value.