The Research Of The Stranger’s Image In Li Peifu’s Novels

Throughout Li Peifu’s novels,it is found that a large number of the image of “strangers” are stable and have the mirror meaning of the times.This paper takes the image of “strangers” in novels as the breakthrough point.On the level of the image of stranger’s aesthetic generation,the works of the outgoing city people in the background of urban and rural evolution emerge in endlessly,and the special feature of Li Peifu’s creation is that he is a city man with rich experience in rural life.Therefore,the spiritual and psychological feelings of “ strangers” are more profound,and the focus of the trial is deepened to their psychological and spiritual transformation levels in the course of the transition of fate.On the basic feature level of the image of “strangers”,the depth of Li Peifu’s novel is that it is not limited to the plane description of the living situation of “ strangers”,but to the spiritual level,to construct its personality image and to reveal its spiritual characteristics.First of all,"strangers" in the process of marching into the city,carrying a heavy rural background,which has a multiple impact on their way of entering the city,urban life and life choices.Secondly,after many years’ efforts,“strangers” has completed the transformation from poverty to prosperity,but the spiritual world is still scarce.Finally,in order to pursue reputation and interest,“strangers” give up all confidence in themselves,their souls fall into depravity.The lack of local people and intellectuals,city three identities make them produce identity crisis.At the spiritual salvation level of the image of “strangers”,Li Peifu not only showed the redemption of “the image of strangers”,but also revealed the hopeless tragedy of redemption."Strangers" in the spiritual predicament,through the heart of repentance and nostalgia at the self salvation.Li Peifu tried to adapt to the trend of living in the city to develop the agricultural civilization for "strangers" to rebuild their homes.But the character defects of "strangers" and the rural alienation caused the tragedy of the hopeless salvation.The ontological dilemma of the spiritual home formed the distorted narration of the "capable man" and the image of the virgin.Through the shaping of the image of the "strangers",Li Peifu’s creation reveals the ontological contradictions that are hard to bridge in the contemporary urban and rural reality.The tragic sense of tragedy shows a long way to go.