A Study Of Dou Bai Cao

Through the analysis of the creation,dissemination,development and gradual decline of the tune of Dou Bai Cao,this paper attempts to investigate how the tune was transformed from Sui Qu,Tang Daqu and Tang Faqu to the Ci tune of Song Ci in the process of evolution,and further evolved into the Catalogu in Jin Dynast.This paper makes a comprehensive study of the development of this tune,and provides evidence for enriching the history of Ci poetry and studying the history of Qu.Dou Bai Cao was originally a kind of folk game,which existed in the late spring and Autumn period,and then developed into a Dragon Boat Festival.With the change from the folk to the literati class,the game has also changed in form;The tune of Dou Bai Cao was produce in the Sui Dynasty.Through the music policy of the times,the life of the Bai Mingda and its composing style,it can be found that the Dou Bai Cao has the characteristics of powerlessness and Dou Bai Cao are not a new Faqu in the Sui Dynasty;The tune of Dou Bai Cao evolved into the form of Tang Faqu and Tang Daqu,It has different musical forms such as singing,dancing,musical instrument playing and so on.The DunHuang song is composed of four "chapters",each "chapter" is dominated by five words and five sentences,with six word "xi qu xi qu mi cao",The meaning of love between men and womencan also be realized;Dou Bai Cao developed to the Song Dynasty.On the one hand,Chao Bu Zhi’s two words has established the basic style of the tone.On the other hand,through the analysis of the 170 words of Chao Bu Zhi,it was found that the creation of Dou Bai Cao was representative in his the words,and it was the first creation of the words.It Is the result of both Chao Bu Zhi personal creative habits and the environment at that time;In the Jin Dynasty,Dou Bai Cao appeared on the stage of the opera with the new form,The list of Dou Bai Cao in the twenty-five "South Village dropout" is not available.On the one hand,it is related to the features of the "A long period of Yan".On the other hand,it is also related to the weak story of the name;In the late Ming and early Qing Dynasty,Dou Bai Cao was redeveloped by the JiaXing poet Wang Hong and others as the soliton and remote tune of the Song Dynasty,but it was also a personal attempt by some poets.It had no substantial significance to the creation and further development of the tone of the Dou Bai Cao,and the tone also entered the period of decline.