A Study Of Poetic Ideas In The Six Dynasties Of Xie Zhen's Si Ming Shi Hua

As an important figure of the Ming dynasty retro party,Xie Zhen inherited the poetic ideas of the first seven sons," Tang Dynasty,poems must flourish." He expanded and innovated and occupied an important seat in the Houqizi camp.Xie Zhen built his own poetic theory from a unique perspective,which is embodied in the book Si Ming Shi Hua.Xie Zhen adhered to the poetic thought of “high ancient” and “natural”,and attacked the ambiguous style of the poetics of the Six Dynasties,at the same time,he affirmed the poetic and artistic creation in the poems of the Six Dynasties from the poetic perspective.In the interpretation of the Six Dynasties' poems,Xie Zhen grasped the development of the poems in the Six Dynasties from the perspectives of poets,poems and poetry.In the evaluation of the poet,he insisted on the principle of "virtue" and "talent",and combed the main poets of the Six Dynasties.He highly evaluated Tao and Xie,and praised Tao Yuanming.In terms of poetry,Xie Zhen focuses on poetry in terms of “Qi Ge”,and considers the poetry of the Six Dynasties to be low-grade.He criticizes the poems of the Six Dynasties for poetry and meticulous poetry from the perspective of verve,with no rhyme,but he can also escape the limitation of style.From the poetry change perspective,he can see the positive influence of the era on the poetry of the Six Dynasties.In terms of form,Xie Zhen discussed the genre and the style.He believed that the ancient body has its own system,the ancient poetry must be ancient,and the legal poetry is focused on Seiko;besides,he noticed the change of poetry style during the Six Dynasties period,such as The Phenomenon of the Yuefu Poems in the Six Dynasties Period,the Influence of Six Dynasties' Five-character Poems on the Poetry of the Later Ages,and so on.In the differentiation of styles,on the one hand,he regards "Li" as the aesthetic features of poetry.On the other hand,he recognizes the style of the times with "Li",and believes that the style of labor and craftsmanship in the Six Dynasties is most undesirable.Xie Zhen also analyzed the poems of the Six Dynasties from the perspective of rhetoric.He used the code as a "method of self-creating" to criticize the phenomenon of the errors of the Six Dynasties poems.In the aspect of poetry confrontation,he praised the nature of Tao poetry.for the tempering of words and sentences,he pointed out that it is not possible to use difficult words in poetry and oppose grammatical work.In addition,Xie Zhen asked for the rhyme of poetry.He believed that poetry creation should avoid the difficulty of rhyme,and expressed dissatisfaction with the issue of Shen Yue's poetic rhyme in the Six Dynasties.However,Xie Zhen did not blindly criticize the poetry and law problems that existed in the Six Dynasties' poetry.He also realized that the aesthetics of the Six Dynasties,especially the development of the ritualism,had an important influence on the development of poetry.Xie Zhen built his own unique six-age poetic concept with the core of the Six Dynasties poet,poetry physique,and aesthetic characteristics.He is viewing the evolution of the development of Poems in the Six Dynasties from the View of General Change,and advanced the process of poetry criticism in the Six Dynasties of the Ming Dynasty,occupies an important position in the history of poetics.