Research On The Style Of Xin Lun And Chang Yan

Xin Lun is the prose between Han Dynasty of West and East,Huan Tan gave a name “lun” which belong with the characteristics of the pre-qin period style named “lun”.Chang Yan is the prose in the end of East Han Dynasty,Zhong Changtong gave a name “yan” which belong with the characteristics of the pre-qin period style named “yan”.From the stylistic development in ancient China,many style produced in the pre-qin period,while style establishment,classification and analysis of the works began in the Wei,Jin and Northern and Southern Dynasties.However,the Han Dynasty was between the two periods.Nevertheless,the different of style works,are different about the classification of style.“lun” as one of the ancient style,which plays an important role in Chinese ancient style.It has a broad and narrow sense,which refers to “you yan ji lun” includes a variety of argumentative “lun” style and be named “lun” includes the main content of dialectics,and does not include other.In the generalized “lun”,there are related to the “yan” and the “lun”.Therefore,this paper is based on text study from the perspective of the "lun" and "yan" style,which about the stylistic features of the respective texts of the Xin Lun and Chang Yan and the style of belonging.This paper will firstly discuss the origin of essays “lun” style,then will specifically combine its “lun” “yan” style to analyze from the Xin Lun and Chang Yan,the stylistic concept of “lun” in Han Dynasty,and it will briefly make remark on the “lun” style how to make change of in Han Dynasty and make profound impact on style creation of the later.The study about the style of “lun” and “yan” in Xin Lun and Chang Yan,on the one hand,it will help text inner depth,on the other hand,it will make up the lack of about the style of Xin Lun and Chang Yan.And it can also to clarify the development status of “lun” style and have a general idea of the Han Dynasty others styles.This paper includes introduction,text(chapter four),conclusion.In the introduction part,it clearly illustrates the current situation of Xin Lun and Chang Yan and its shortage about the stylistic studies,and it makes a detailed point of meaning of using “lun”and “yan” style for Xin Lun and Chang Yan,and introduces the main research methods.Chapter one: the origin of “lun” styles.This chapter firstly introduces the existence of “lun” style in ancient time and its basic characteristics are analyzed by inquiring ancient literature.Then the various uses of “lun” and the influence of these uses to establish style are researched by analyzing the essays named by “lun”.The paper discusses the development of "lun" style in two periods,and the missing is the Han Dynasty,which leads to the topic of how to develop in the Han Dynasty.Chapter two: the “lun” style of Xin Lun.This chapter firstly explains the “lun” implication of Xin Lun from academic purpose,academic thought and writing system.Then it analyzes the stylistic features of the “lun” style about Xin Lun and draws the “lun” style of Xin Lun.Lastly it analyzes the unique style of Xinlun's “duan shu” and get the attribution of the “lun”style of Xin Lun.Chapter three: the “yan” style of Chang Yan.This chapter firstly proved the existence of “yan” style.Then it gives a brief interpretation of the “chang yan”,and “yan” is the meaning of discussion and arguing,which is of stylistic significance.Lastly it discussed the stylistic features of the text according to the expression,language and arguing and is not the “yan” style in the full sense for the style of Chang Yan.Chapter four: the stylistic conception of “lun” in Han Dynasty.This chapter firstly discussed the article of “lun” in the Western Han Dynasty and the article of “yan” in the Han Dynasty,which can demonstrated the intercommunication between “lun” and “yan” in the style of Han Dynasty,so it was argued that the style of Chang Yan belongs to “lun”.Lastly it compares the characteristics of “lun” in Xin Lun and Chang Yan according to the form of content and structure,which proved the stylistic conception of “lun” in the end of East Han Dynasty,including the language of “beauty in both language and content” to “the lingering charm,the rhythm,the parallel style” and both of them have a strong sense of political interference and the enhancement of individual discourse consciousness.In the conclusion part,it combed the whole thesis and sums up the concrete embodiment of style about Xin Lun and Chang Yan and it will highlight the significance of this research.