On The Application Of Texturing Method In Modern Freehand Brushwork

The texturing method in the landscape painting has become an indispensable part of the modern freehand brushwork figure painting.It has a very important theoretical and practical significance,whether it is the diversity of the language of the pen and ink,or its unique aesthetic connotation.Using the texturing method to shape the characters can not only preserve the traditional spirit,but also make the characters more contemporary.However,the application of texturing method in modern freehand brushwork is relatively small and not comprehensive.The rich,broad and powerful expressive force of cun fa has important practical significance for modern freehand figure painting.Therefore,it is necessary to study the application of wrinkle method in modern freehand figure painting.This thesis focuses on the application of the method of texturing in modern freehand figure painting.Specifically,it can be divided into four parts.The first part is mainly a summary of the texturing method.By collecting the relevant data of the texturing method,the development process and related concepts of the texturing method are summarized.The second part is the focus of the paper,mainly analyzing the use of texturing in the painting of freehand characters,extending from the concrete use of the texturing method in the ancient freehand figure painting to the modern,which focuses on the specific application of the texturing method in the modern freehand figure painting.This part is mainly based on the combination of image data analysis and theoretical analysis to analyze the typical representative works of Jiang Zhaohe,Zhou Sicong,Li Boan,Wang Ying Chun,Zhao Qi,Yuan Wu,Chen Yuming and so on.The third part extends from the use of the texturing method to his own works,and analyzes the use of the texturing method in the author's works and the author's thoughts in the process of creation,such as whether the excessive texturing method will affect the image of the characters,the texturing of the texturing method and so on.The fourth part mainly discusses the meaning of the texturing method in the modern freehand brushwork,and puts forward some opinions,such as the important aesthetic function of the texturing method with the times and the texturing method.It is hoped that through the research of this subject,we will strive to produce some inspiring functions and values for the development of modern freehand figure painting.