Study On The Wrinkle Principle In Chinese Traditional Landscape Paintings

In this paper,the research contents of the wrinkle principle in Chinese traditional landscape paintings include its causes,developing procedures,means,and how it starts from being pure techniques to strict rules,from no rules to rules everywhere,eventually becoming a painting program with a set of independent painting reasons and methods.The author mainly analyses by means of influences of the use between the center front and the side front of wrinkle strokes as well as calligraphic strokes,relations between the wrinkle principle and Chinese cultural concepts,the focus and evolution of cognition toward the wrinkle principle in Chinese painting theories among various dynasties.From its birth,to its combination with Chinese culture in forming of the relevant painting reasons,and to its formation,perfection and regulation of concrete painting methods.Taking the historic span as the ruler,remeasuring the real core of the wrinkle principle as the most important principle of composing Chinese landscape paintings.By doing so,the author hopes to correct the relevant mistakes existed in the field of the education of Chinese landscape paintings,and puts forward some solutions to common problems.As a result,this paper is expected to reach from pure theories to practices,in order to provide valuable references for further researches in the field of the study of the wrinkle principle,also give out correct guidance to the education of Chinese landscape paintings under the upsurge of today's Chinese culture.