A Study Of "Re-media Theory" In The Dong People's Folk Literature "ZHULANG NIANGMEI"

The folk literature Zhulang and Niangmei is the most classic and representative literary works of the Dong nationality.The work has been widely circulated in the Dong communities in Guizhou,Guangxi and Hunan.Since its inclusion in the intangible cultural heritage,Zhulang and Niangmei has attracted the attention of writers and critics.Its media form has undergone the alternation of oral literature,printing literature,film and TV series and other forms.The media transmutation of Zhulang and Niangmei went through several stages: The first is the “ re-media ” of literati works on folk oral literature;The second is the “re-media” of Dong songs and Dong operas.Finally is the “re-media” of the new media on traditional songs,plays and films.Correspondingly,the content of Zhulang and Niangmei in different media forms is translated into the cultural content reflecting the pluralistic ideology by reflecting the original theme of the Dong people's aesthetics.This paper mainly focuses on the different adaptation of the stage and TV series.Based on the theory of “re-media”,this paper discusses the narrative mode,aesthetic style and the characteristics of the thoughts in different media forms.In this paper,we use the methods of literature and art sociology,narratology and communication to pay attention to the cultural reasons for the deep-rooted variation.In the introduction,this paper first systematically summarizes the research status of the traditional culture of Dong nationality,the beauty of Zhulang and Niangmei and the media theory,and the generation and development of the “re-media” theory.The first chapter of this paper mainly elaborates the folk culture tradition of the origin and development.It is mainly concerned with the Dong song,the origin of Dong opera and the influence of traditional Dong nationality's political system and marriage customs on the works.The second chapter focuses on the analysis of the different variations of the text form of the Zhulang and Niangmei in the form of oral media,print media,film and television media and new media.In this part,this paper analyzes the phenomenon of “re-media” between various forms of media.The third chapter mainly discusses the narrative mode,aesthetic style,ideological features and the reasons for the birth of these characteristics under different media forms.How to respond to the challenges of cultural communication in the era of media convergence and self-media flourishing?...