To Explore The Embodiment Of "Hidden Landscape" In Flower And Bird Painting

During the northern song dynasty,su shi proposed that there were paintings and poems in the poems."Poetry and painting" is a summary of the highest aesthetic standards of poetry and painting."Poetry and painting",can be associated with "implicit","hidden" and "hidden" is implied.In the process of painting creation,first of all,clear the screen main body,and began to according to the picture to create atmosphere and scene composition,usually need appropriate at this time some local weakening the picture.In the painting,there will be some accidental production,also make "Tibet" more abundant.The term "Tibet" was originally put forward in landscape painting,but it can also be interpreted in flower and bird paintings.The application of "hiding place" in the picture can make the whole picture more complete.The picture is full of imagination space,full of "energy".It is proved by practice that the delicate "hidden" means "silent victory at this time",and more implied meaning is infinite,and the more the scene is,the more it is hidden.This kind of expression attracts the audience,and can actively create some kind of connection between the image of the picture and the picture inside and outside of the picture,and guide the audience to arouse the suggestion of emotion.This creates more aesthetic space for the audience,extending the space and time,and extending and extending the aesthetic itself.Based on the materials collected in the creation,this paper interprets the setting of scenes in flower and bird paintings.Background processing increasingly diversified expression in contemporary Chinese paintings,and in this rich variety of backgrounds,depicted the scene for artistic conceptions of images are different.In many ways of expression,this paper is based on the creation practice,which mainly explains the technique of "collision powder".This is done through painting techniques to enrich the picture space is one of the important means,from local "bump",to "bump" widespread use in painting,water and ink superposition of harmonic,alluvial and each other,build a different atmosphere in the picture,picture brings out the "incomplete" visual effect.The contrast of virtual reality in the picture can extend and expand visually,resulting in a rich spatial relationship.In this article enumerates the hung-wei Chiang paintings,through his painting experience-to build a subjective association of objects in the image background environment,to enrich the "hidden" a word used in flower-bird painting creation.In the process of his creation,to "hide" the manifestation of a language,is embodied in the background processing,by including and bump,deposition,heap,spray,rubbing,the use of a variety of different painting techniques such as spelling,stick,tie-in inky shading the use of dry wet and makes images have very rich in readable form,also make the concept of "hidden" in the middle of the picture is more abundant.