A Study On The Heat Of Qu Yuan During The Period Of The Republic Of China

In the 40s of last century,it was the second outbreak period of Guo Moruo's writing career.In this period,Guo Moruo transferred from the poetic circle to the theater and created many outstanding historical dramas.Among them,Qu Yuan is one of the most representative works.From the point of view of reception aesthetics,the life of literary works lies in acceptance.In the 40 s of last century,the historical drama "Qu Yuan" was the exuberant period of life,which attracted many people both in text and in performance.This article analyses the influence of two factors of politics and aesthetics on the acceptance of "Qu Yuan" from the angle of reception aesthetics,and discusses the reasons for the hot phenomenon of Qu Yuan in the period of the Republic of China.At the same time,this paper further thought about the influence of the political party dispute on the literary acceptance during the war of resistance against Japan and the aesthetic needs of the people during the war.In addition to the introduction and conclusion,this article is divided into three chapters.The introduction part is the background of the creation of "Qu Yuan",and the creation and acceptance situation of "Qu Yuan" were summarized as well,leading in the discussion target during the period of the Republic of China: "Qu Yuan" phenomenon;It also reviewed the relevant research results,and pointed out the research space and the value of this study still exist and are presented in this paper research ideas.The first chapter of this thesis mainly tells us something from the aspect of history,which makes us feel as if we went back to the historical scene.It includes the media,audience,literary review,responsory poetry,which shows "Qu Yuan" phenomenon in the last century in 40 s.The second chapter of the thesis is to analyze the influence of political factors on the acceptance of "Qu Yuan".The text expounds the penetration of the two ideology of the Kuomintang and the Communist Party in the acceptance of Qu Yuan.Different ideologies are like different chemicals,and the chemical reactions that are produced after the "Qu Yuan" are naturally different.Based on the principle of reception aesthetics,this paper discusses the different acceptance forms of Qu Yuan in the exposition of Kuomintang and the Communist Party,and probes into the acceptance of motivation behind different acceptance patterns.In the acceptance of Qu Yuan,the Kuomintang focused on the patriotism and nationalism of Qu Yuan,because this corresponds with Kuomintang's nationalist literary and artistic thoughts.The "Qu Yuan" acceptance of The Communist Party,focuses on interpretation of Qu Yuan's thought of the people,the rulers of the indignation,because the thought fits The Communist Party literary,embodying the political imagination of The Communist Party when it illustrates the "Qu Yuan".The third chapter of the thesis mainly analyzes the cause of the heat of "Qu Yuan" from the aesthetic point of view.The thesis first analyzes the changes of people's aesthetic style in the period of the war of resistance,and the work of patriotic theme is easy to get people's identity.The revival of Qu Yuan's poetry and drama during the war of resistance against Japan shows the aesthetic rule of the times.The hot phenomenon of Qu Yuan has an important relationship with Qu Yuan's theme adapting to the war of resistance against Japan.Secondly,the artistic charm of the script of Qu Yuan is analyzed: the conflict is fierce and the figure is plump,and the characters of the characters are individualized.Finally,it analyses the second creation of successful Chinese Drama Society: superb performances,exquisite costumes,actors exquisite stage device etc.