Study On Lu Weizhao's Theory And Practice Of Calligraphy

Mr.Lu weizhao is the most influential master in the history of modern Chinese calligraphy,and also the pioneer and founder of education.Mr.Lu weizhao,under the shadow of baoshichen and kang wei's inscriptions,advocated a strong writing method.In the creation,the melting of ancient and modern,with "the north stele as the bone,jin tang as the rhyme" practice creation.It is a contemporary calligrapher with creative consciousness and creative spirit.As a representative calligrapher in the period of "post-inscriptions",Mr.Lu weizhao has the courage to take the responsibility,and in the creation of calligraphy art,he constantly integrates the new ideas of creation.The law of the ancients,inheritance and new.With the perseverance,in the calligraphy creation in the continuous experiment,the pursuit of artistic innovation.The research on seal and official script is very deep,with decades of effort to create a new body "the flat body".The creation of this new body was based on the results of the experiment.The emergence of such a new body,which is not a scribe or a script,has become the most favorable example of "post-inscriptions" calligraphy.Mr.Lu weizhao will never stop the "children's work" and make a solid copy of the classic works of the past dynasties to face the present situation of the overall impetuousness of the society,which is worth exploring.He has a profound knowledge of traditional culture,and he has excellent skills.To improve the skills of calligraphy and painting by learning.To nourish the calligraphy with the help of schooling,and truly to "learn to keep books".Us better understand and appreciate the understanding and mastering the Liu Weizhao Sir,calligraphy art creation,and with its as a resource and reference for the study of contemporary calligraphy creation and provides a valuable example.This paper discusses lu weizhao's books in five chapters and analyzes them with more pictures.The first chapter is lu weizhao's ancient road,and the history of lu weizhao's time background,life experience,the history of the division of the study.The second chapter,lu weizhao's book learning thought,carries out meticulous carding of lu weizhao's book thinking from four aspects.The calligraphy and painting of calligraphy and painting is the foundation of the book,the integration of the inscriptions and the learning,because the body is appropriate,the book must first stand.Third chapter Liu Weizhao technique style origin,respectively from determining the seal character,learning of the han tablet,the six dynasties BeiBan,by running script calligraphic style learning wei rubbings,grass into the meaning,a detailed study,to separate the pen style,line style,character,composition analyses comprehensively historical position layout,a deep understanding of the techniques of Liu Weizhao style origin.The fourth chapter,lu weizhao calligraphy inheritance and new,respectively from the inheritance and thenew research,the wei-jin literati spirit of the continuation,not li zhuan-the creation of the flat body.Chapter v Liu Weizhao calligraphy art characteristic,form,quality records of ancient nationalities art,poetry is full of,beyond the concept of art stone inscription rubbings of modernity,with rebellious spirit of artistic creativity.