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Ultra-flat Landscape

Posted on:2015-01-14Degree:MasterType:Thesis
Country:ChinaCandidate:Y TianFull Text:PDF
GTID:2265330425994460Subject:Art and design
Abstract/Summary:PDF Full Text Request
The research object of this article is China traditional painting flat schema and super flatvisual communication. This paper will through the flat characteristics of ChinaTraditional Painting Schema and schema, Western Painting Schema andthree-dimensional characteristics and flat and solid--the differences between Chinese andWestern Painting Schema, so as to put forward such a personal understanding: Break thetraditional painting schema China original flat schema characteristics, the Chinatraditional painting original quite vague spatial relationship with primary and secondaryaffiliation, more subjective to eliminate, the picture element evolved into a composed ofmany such objects are combined into aggregate. The aggregate of the Chinese traditionalpainting flat, but hinted that the space, time and the primary and secondary or subordinaterelationship exists; In the visual plane, with more than a flat schema original visual effects--super flat, more expressive force and impact force; But the vision is to occasionally,impact, unknown, unpredictable, intertwined, imagination. In the retention Chinesetraditional painting original schema characteristics at the same time, infinite enlarge andstrengthen it, the formation of a more modern schema, or is more visual language ofmodern.
Keywords/Search Tags:Painting Schema, flat, three-dimensional, super flat
PDF Full Text Request
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