| The "meaning" and "elephant" in Chinese landscape painting had already been influenced by Laozi and Zhuang philosophies as early as the pre-Qin period,and formed a unique concept of imagery."Tao" is indescribable,and it can only be conveyed in words and in Chinese ancient literary and artistic works.At this time,it needs a concrete image as an artistic carrier to symbolize expression,borrow things and lyrical expressions,and borrow like images.China’s profound and profound culture has created a Chinese subtle and introspective way of thinking.Instead of directly depicting objective natural objects in the performance of paintings,it arranges and accepts the objective images seen by the eyes and forms an image in the brain.Produce a complete piece of art work,let it be artistic,elegant,elegant,ancient and other artistic flavor,and then reproduce its ink and ink structure on paper,adjust the yin and yang of the picture,the actual situation,black and white and other relationships,and finally present a complete Painting artwork.The transformation of "idea" and "xiang" is a problem that requires long-term thinking and practice.Only by mastering the essential laws of all things can we "get it right" and create better works of art. |
