Study On The Oil Painting Creation Of Uygur Folk Customs In Xinjiang

Today,Xinjiang oil painting has become a unique landscape in the creation of Chinese oil paintings,and it occupies a pivotal position in the Chinese painting industry.Since the Uygur people's paintings are no longer limited to the patterns,more and more artists have painted a large number of Uighur peoples' folk customs in the form of oil paintings,and have brought familiar characters,animals,traditional festivals,daily life scenes,etc.onto the map.The picture fills the void of the Uygur religion's intentional painting that previously embodied a single folk culture.The oil paintings of ethnic minorities in Xinjiang,especially the Uygur ethnic group that expresses sings and dances,have strong and distinctive geographical features and the Uygur's folk cultural and aesthetic background.They have become a colorful folk customs in Xinjiang,where many ethnic groups live.The important part of the theme oil painting works.This article introduces works of Uighur folk customs,such as Abdul Kriul Nasirdin,Haj Amat,Mutti Ayati,and Zoran Mutha and other oil painters,to illustrate the Uygur folk custom in Xinjiang.The development of oil paintings in the style of the theme,the characteristics of the Uygur folk customs and oil paintings,the analysis of the oil painting creation style and expression form,the analysis of the current status of the theme of the oil painting in the current state of the problem,put forward the new era of painting on the theme New thinking and objective themes give artists a spiritual impact and produce a driving force for expression.In the creation of oil paintings,the expression of the soul and spirit needs to be completed through what theme,and the artists are encouraged to search for themes so as to achieve correspondence with the way the artist's mind wants to express emotion.The theme itself does not determine the success or failure of painting.The theme gives people the thought,the spirit,and the source of painting.What is the original intention of people doing art? What will the painting bring? The spirit needs to be expressed in terms of expression,export,and subject matter.It is necessary to unify the dialects of the theme of folk customs and oil paintings,and to leave the cultural customs of ethnic minorities and folk customs and cultures that cannot penetrate the artistic creation of these works,and leave the traditional painting theories and techniques without major breakthroughs.Only by deepening the traditional foundation and continuing to innovate on the basis of excavating and inheriting traditional culture can there be greater breakthroughs.Therefore,the creation of oilpaintings in Xinjiang should have a deeper exploration of themes and techniques.This article will analyze and research the status quo of the oil painting creation,subject matter and style of Xinjiang Uighur folk customs.Analyze and summarize the status quo of the oil painting creation and development direction of this theme,and put forward corresponding thinking.