| As a work to pay homage to Bach,"Streams" shows the concept of creation originating from the East in the genre of the string quartet.The concept of "re-merger" plays an important role in Chou Wen-Chung’s aesthetic view of music creation.Therefore,starting from the concept of "re-merger",this article is based on the form of the contraposition and the form of sound,from the pitch,rhythm,and The music elements such as dynamics,structure,sound,etc.were unfolded to illustrate how Eastern cultures such as the Yi Jing,Guqin,and Calligraphy conveyed the author’s creative ideas.It reveals the creation trajectory of "change" and "control" in the works and the level reflection of the concept of "re-merger".This paper plans to use five chapters for discussion and analysis,and is divided into three parts.The first part is an introduction and an overview of the research status at home and abroad.It also combs Chou Wen-Chung’s creative background and "re-merger" concept and explores how it interacts with Western techniques.This is the first and second chapter.The second part is the third and fourth chapters.It analyzes Chou Wen-Chung’s creative concept of "re-merger",and explores how the works achieve "change" and "control" in the form of contraposition and acoustic form.With the unity,we will explore the elements of music such as texture,rhythm,sound and structure to clarify the specific expressions in music.The third part is the fifth chapter,which explores the level expression and aesthetic purport of "change" and "control" in Chou Wen-Chung’s creative concept. |
