Inheritance And Reconstruction-research On Artistic Features Of Auerbach's Painting

The external formal language shows thinking trace of the painter,Auerbach's long painting process precipitated into the painting to form a beautiful language about time.The concrete material significance of the scene of London street of the last century and the figures and models that cannot be distinguished in his paintings is not as impressive as the face of language that is attached to the surface of his works or that is clear or hidden.Its modeling language integrates perfectly in the perfect combination of concrete identification and abstract elements,the double faces of plane graphics and threedimensional illusion,the elegant characters and real and imaginary spaces in ugliness,and the methods of stacking layers without being too complicated.Abstract Geometric strokes that seemed as if nothing had happened actually worked hard.The so-called hot abstract passion and cold abstract reason are integrated into one body of Auerbach's art.The characteristics of loud,gorgeous and tough,which melt the emotions such as spirit,strength,speed,turmoil,sadness or bitterness,or dark or gorgeous,as well as the emotional things such as tenacity,unyielding and nobleness from the Jewish nation into concrete and visible forms such as restriction,abstraction,geometry and composition,make the viewer obtain great shock and moved from the double layers of vision and mind.The main body of the article discusses the artist's creative concept of theme,sense of completion,timeliness,repeated trial and error in the creative process,and " restriction" and other methods.Dividing its artistic features into stages by creating track big data;From the analysis of the perceptual psychological tendency of the works,the author reveals the painter's means of integrating abstract geometric elements and deduces the general direction of his artistic pursuit.The painter and the abstract art representative painter are compared and studied in order to prove the uniqueness of his inherited features of abstract geometric elements and his own reconstructed symbolic systems.