Study On Stylistic Form Of The Wei,Jin And Southern And Northern Dynasties In The Context Of Literacy

Wei Jin and Six Dynasties were known as the era of literary consciousness.One of their main manifestations is the development of stylistics.This is not only manifested in the variety of the rich,but also in the analysis of the characteristics of each style.Therefore,this article adopts the concept of "stylistic" meaning,that is genre.In order to explore the close relationship between the development and the concept of style discrimination was to promote:With the deepening of the theory of literary quality,scholars have paid more and more attention to the expression of "the theory of literary quality".At the same time,this is also promoting and verifies each other with stylistic discrimination.It mainly shows the emergence and development of Carving a Dragon at the Core of Literature's stylistic theory and style distinguish.This article is divided into five parts.The first part is the introduction.In this part,the author will first make a conceptual specification of the stylistic used in this article,and secondly,explain the origin of the development of the theory of literary quality from the perspective of literary history.Finally,with the theory of Han Fu as the center focuses on the relationship between the stylistic theory and literary quality.The first chapter is about the enrichment and refinement of the styles in Wei Jin and six dynasties.In this chapter,the author selects four representative texts,taking the change of history as the example,with the refinement of stylistic categories and the refinement of stylistic discrimination as latitude.It mainly analyzes the development form of style in Wei Jin and six dynasties.First of all,Cao Pi Classical Treatise in the style of division.The people said the "four Imperial examination system and Eight kinds of calligraphy",although not careless,but pointed out the specific characteristics of concise and to the point of every genre.Lu ji inherited this idea,In "Wen Fu",the eight kinds of calligraphy is extended to the ten kinds of calligraphy,and the characteristics of the style are described in more detail from two aspects.Liu Xie is based on this.We write 20 stylistic theories in Carving a Dragon at the Core of Literature,and describe and evaluate each genre with more accurate and guiding language.Xiao Tong's anthology is the earliest extant collection of poems and essays.On the basis of fully recognizing the characteristics of literature,we have enriched and refined the types of literary works.The second chapter,the Wei and Jin Dynasties literary style and literary quality---In "Carving a Dragon at the Core of Literature" style theory as the center.In this chapter,the author in "Carving a Dragon at the Core of Literature" style of the entrance,first discussed the style classification."Writing" is the first class classification method.According to the origin of the style,genre of literary mind and Carving Dragon can also be divided into five categories: "poetry","book","rite","Yi" and "Chunqiu".The author intends to discuss the problems of various kinds according to this,the Wei and Jin Dynasties people 'based on quality and identity.The algae color showed unprecedented interest and gloze the conclusion(the above statement is not abstract).The third chapter.With the deepening of the writing on literary quality.This chapter is based on the second chapter.For promoting the further analysis of the Wei and Jin Dynasties style theory and the literary quality problems.The author first summarizes the above pre Qin Dynasty to the Six Dynasties to the end of the "Carving a Dragon at the Core of Literature QingCai" literary quality changes.This change is verified by an example of writing.The last part is the conclusion.The author will make a summary of the full text and illustrate the stylistic theory in Wei,Jin and Six Dynasties from the perspective of literary history.