A Study On The Relationship Of The Aesthetic "Yuggen" Between Go And Japanese Literature

"Yuugen" began to appear in the field of literature and art from the Heian period,after the development of the Kamakura period to the Nanbokucho period,to the early stage of the Muromachi period was gradually established.In the process,"Yuugen" has been enriched by theWaka,Renga,Nogaku's theories.But the construction of a concept is often not only related to the theories in the relevant fields,there will be more other art forms also slowly participate in.As a member of Japanese traditional art,Go also accepts the aesthetic concept of"Yuugen".One of the cases is that a literary authors writes Go into their works,and in the works of their personal aesthetic experience,appeal and Go together for narration or lyrical,thus embodying the beauty of "Yuugen",it can be divided into four kinds of the nobility,the Samurai,the civilian and the professional Go players according to different class aesthetic,the nobility is graceful and implicit,the Samurai is far-reaching and quiet,the civilian is mysterious and dream,the professional Go players is deep and meditation;the other case is through the Go's abstract,mathematical,athletic and other characteristics,as well as the Go spirit of professional Go players,to achieve "Yuugen".Compared with literature,it emphasizes calculation and victory.The above two cases reveal how the "Yuugen" is constructed and manifested in different fields from different angles,and professional players have certain particularity for construction of the"Yuugen".The aesthetic expression of "Yuugen" is also diversified by professional players' emphasis and application."Yuugen" can be achieved through intuition,emotional expression,etc.It can also be entered through mathematics,athletics and"Zen",etc.In the end,it leads to the state of "Myoka" with."Yuggen's charm" that Zeami said.