The Research On Peng Yanjiao From The Perspective Of Philology

In recent years,in the field of modern Chinese literature research,a large number of writers or anthologies and collections of literature has been gradually appeared,some writers research,literature accumulation such as research on literary history has been carried out.However,in the field of contemporary literature research,conditions such as restricted to the unilateral comprehension of writer’s image caused by the document literature are not a few,especially for people working through the contemporary literature stage as Peng Yanjiao.Peng Yanjiao is a writer with a long history of writing(1938-2008),his creative style is changeable,but also has multiple identities such as "July School" poet,"Hu Feng" clerisy,Huxiang writers,"return" writers and university professors.But in the current research,main idea of the research is from the "July School" poet and the Huxiang writer aspect,and then to study his behavior and works from the perspective of creation theory,but the literature Data show that a lot space of Peng Yanjiao research still exists.This paper starts from the perspective of philology,mainly from the version of the study criticism while the other from the version of digging new document and interaction among writers.Classifying Peng Yanjiao works by time,this paper collected poetry version before liberation and in the new era.In the second chapter,the version of the poems of Peng Yanjiao is mainly studied and collated.This part is in standard of various versions,representative and type rich.The chapter select the pre-liberation works such as the "winter" "calf" "funeral" and the representative works for "painting cactus" "piano playing" "colorless and transparent down" since new era.The chapter also cited the a special modification,that is,the variation of poetry,which is "Chen Ailian".In which poem,there are two kinds of free poetry and prose poems.In the third chapter,this paper summarizes the publishing situation of Peng Yanjiao’s works in chronological order by means of annotations and research,and also discusses the reasons for the revision of Peng Yanjiao’s version,and concludes the details,adjusts the details,adjusts the rhythm,corrects,and language standardization,political review,according to the reader’s comments and other reasons.At the end of this part,we discuss Peng Yanjiao and related research on literature history,and the version criticism has the significance of preserving the history of literary history,showing the version of the works,and facilitating the work of follow-up research work.The fourth chapter focuses on the effect of the excavation and collation of the "new material" on the writer’s research.This chapter explores Peng Yanjiao in the original image of the editor,folk art organizers and educators and other multiple identities by collecting memoirs,oral history,letters,lectures and other materials to.It can be seen that it is helpful to study the writers in the field of philology and to study the writers’ works more deeply and objectively.