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A Study On The Narrative Strategies Of The Comedy Film In Mahua FunAge

Posted on:2019-11-03Degree:MasterType:Thesis
Country:ChinaCandidate:M Y LiFull Text:PDF
GTID:2405330548971919Subject:Press and Communication
Abstract/Summary:
Since 2015,the success of the films "Goodbye Mr.loser","The Donkey" and "Never say die" has helped make Mahua FunAge grow into a high-profile comedy film brand.Unlike Feng’s comedy and Hao Ning’s comedy,their films have a different narrative skill,not only to re-create the mature and original stage plays,but also to accurately analyze the Internet culture and the psychology of youth consumption.At the same time,by virtue of the exaggerated and subversive funny way of the audience,it is the representative of the present Chinese mainland comic market works.Therefore,the author believes that the pertinent analysis of the comedy film of Mahua FunAge is helpful to clarify the current situation and direction of the current domestic comedy film in the film practice,and provide reference for other creative teams.This paper,based on the perspective of film narratology,and combining the theoretical knowledge of film aesthetics and social psychology,focuses on the narrative strategy of Mahua’s movie.Taking Feng’s comedy as the contrast,this study will make a comprehensive and systematic interpretation of interpretation of Mahua’s unique narrative.This paper is divided into seven parts:the first chapter is the introduction,which explains the origin and development of the theory of film narratology,as well as the background,significance,method and path of the research of Mahua’s film.The second chapter analyzes its growth context from three aspects of economy,culture and market,clarifies its development history,and points out its value and status.Chapter three analyzes the influence of the flexible narrative structure and narrative situation on the comedy style.The fourth chapter focuses on the characteristics of the time narrative and space narrative.The former relies on the diversification of the montage method to speed up the narrative rhythm,while the latter enhances the stage sense of the film with rapid motion and flat figure modeling.In the fifth chapter,the author analyzes how the twofold movie can make a dense and fragrant Jokes through the sound narration from the two angles of dialogue and music.The sixth chapter summarizes and refines the most general narrative techniques and comedy style on the basis of the first five chapters.The last part is the conclusion,which restates the research value and innovation of this paper,and looks forward to the future trend of the Mahua’s film.
Keywords/Search Tags:Mahua Funage, comedy film, narrative structure, narrative situation, time narrative, spatial narrative, voice narrative
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