Collective Nostalgia And Construction Of Cultural Identity

The literature of military dependent villages is the collective nostalgia writing by the military dependent villages writers."Cultural identity" is an important issue that runs through the literary creation process of the writers in miilitary dependent villages.Observing the literature of Nomura in nostalgic literature is a relatively new direction.This article mostly analyzes the nostalgic writing of the the military dependent villages writers,trying to explain how to take the nostalgic participation in the construction of cultural identity,what is constructed in kind of cultural identity,and the significance or deficiency of this identity construction.First of all,as a target for the military dependent villages writers.these is also a practice field for the nostalgic writing of the villages writers.Because of the reconstructive nature of memory,afterwards,and the imaginative nature of literature,The literature of military dependent is a reproducing space that is encoded through language and is an imaginary and open virtual space.The nostalgic writing of the military dependent villages writers also has the characteristics of mobility,hybridity,and openness.At the same time,the military dependent villages is the original memory of the citizens,the land of memory,and the memory of childhood.The literature of military dependent villages encompassing this three-layer spirit is the maternal culture of it's writers.Secondly,the nostalgia of the military dependent villages writers is not a personal memory of old times,but a collective nostalgia.Just because of the wave of localization,the transformation of countryside space and urban space,and the breakdown of childhood memories,that led the the military dependent villages writers to face a crisis of cultural identity.So the the military dependent villages writers is to awaken collective memories through nostalgia,and use the collective memory to build a home imagination community,and to find the identity.At the same time,the change of the home imagination community also reflects the change of the cultural identity of the writers military dependent villages.Taking Zhu Tianxin as an example,this paper discusses the process of her lack of cultural identity,nostalgia,cultural identity,and the fight for disapproval of freedomFinally,this chapter discusses specifically the specific strategies of the military dependent villages writers to construct the villages cultural identity.The first is to describe the static spatial writing of the villages and shape the local identity,the second is to eliminate the history of the fathers and wake up the life memories of the villages,the third is to identify the nostalgic writings of the children and maintain the sense of continuity in the identity of the military dependent villages.Fourth,showing the features of changes from the mythical narrative to the allegorical narrative,and from the ideal villages and the post-village.By deconstructing political power,the real appearance of the village is presented.The culture of the military dependent village is a miniature of the Chinese culture.The nostalgic writing that is actually a spiritual return of the military dependent village writer to Chinese traditional culture.Therefore,it's an attempt to seek a sense of belonging and identity in history.