A Study Of Imagery Of Wang Qijiang's Ocean Poems

This dissertation takes the twelve poetry anthology of the Taiwanese poet Wang Qijiang as the research object.By viewing the sea as a kind of living place and a persistent background,taking image as a clue and putting together the works of different period,the dissertation examines the unique aesthetic connotation of imagery in the marine context,and then tries to sketch the life experience of the people on the sea in his works.The main body of the dissertation is divided into three parts.The first part examines the four aspects of the sea in Wang Qijiang' s poems:the huge sea,the distant sea,the property of the male place of the sea,and the imprisonment of sex in the sea.In the second part,by analyzing the living experience of people in different faces of the sea,we will see the huge sea produces the living experience of lost,and the far-distant feeling of the sea produces the feeling of leaving the homeland and the yearning for land,the male property of the sea gives the land and shore a feminine connotation,and influences the treatment of other images by Wang,while the sexual imprisonment of the sea gives a person the cognition of "self-castration",and creates a tremendous tension in the related images between the desire and the imprisonmence of sex.On this basis,the three categories of images in different contexts is analyzed:adhering,land yearning,and writing about sex.The third part is the summary.The dissertation focuses on the specific text analysis and tries to discover the aesthetic emotion conveyed behind the small images.