Xu Lanyuan Jing Hu Performing Arts Research

Peking opera is a traditional art of the Chinese nation.It has set a good example in Chinese opera art and is known as the "national culture." It is highly praised.The development of Peking Opera is inseparable from the Jinghu accompaniment.Jinghu accompaniment plays an important role in Peking Opera.Jinghu has become a major accompaniment to Beijing opera music with its bright,high-pitched,round tone,and plays an important role in the art of Peking opera.At the same time,the Beijing Opera aria and the Jinghu accompaniment are inseparable.Jinghu accompaniment plays a role in singing and singing.Therefore,the Jinghu accompaniment is of great significance in the Beijing Opera.Master Xu Lanyuan of China' s Jinghu Master not only did a lot of research on the accompaniment of Beijing Opera,the choice of melody,the music design of Beijing Opera,and the harmony of singing,but also enriched the traditional accompaniment methods of Peking Opera and contributed to the development of Peking Opera.Known as "six transparent" musicians.For such an artist who has profound experience in opera and even in the development of Chinese Peking Opera,it is of great significance to carry out research on him.This article uses the research methods of music morphology and ethnomusicology to conduct a special and systematic study on Xu Lanyuan's Jinghu performance art.The full text is divided into six parts.The introduction and conclusion are separated into one,and the historical origins,musical forms,performance techniques and aesthetic features of Xu Lanyuan's Jinghu performance art are initially analyzed from the aspects of history,form,performance skills,accompaniment and aesthetic characteristics,Collation and analysis.The first part is to trace the historical development of Beijing opera accompaniment,combing the process of Jinghu with the historical changes and the gradual emergence of Peking Opera.First of all,from the origins of their own,the establishment of Jinghu's leading role,and the transition to Jinghu,we will explain.Secondly,Jinghu performer Xu Lanyuan was narrated in a large historical background,paving the way for his artistic career and artistic achievements.The second part focuses on the technical characteristics of Xu Lanyuan's accompaniment.Mainly from the aspects of the fixed and tuning,fingering and bowing,the board eye and the board,and the use of special techniques in the accompaniment of Jinghu accompaniment,combined with the relevant spectrum examples to analyze in detail the unique views of Xu Lanyuan in Jinghu accompaniment,refining,total The technical characteristics he accompanied in Jinghu.The third part is an in-depth discussion of the artistic forms of Xu Lanyuan's accompaniment.The Jinghu accompaniment music form mainly includes tune cards,passing doors,and coordinating the tune with the band.From the analysis of the basic accompaniment textures of classification,usage,and passage of Jinghu,and the structure and function,the performance of Xu Lanyuan's main function of "pulling and guarding" in the accompaniment of Peking Opera and his "accompanying"treatment and "adding" in the accompaniment of Beijing Opera were analyzed."Flower" "accompaniment" and "low-up,high-low" method of treatment,the close cooperation of the band to discuss one by one,summed up the Xu Lanyuan Jinghu accompaniment in the art form.In the fourth part,from the perspective of cooperation between Xu Lanyuan and Mei Lanfang,Mei Lanfang's classic repertoires "Drunken Masters" and "Cosmic Front" were chosen as the cases.Through a brief introduction of the repertoire,the plot and structure analysis,in-depth understanding of the main content of the repertoire,deep excavation of Xu Lanyuan's accompaniment.The final analysis of the role played by the luthier in Jinghu accompaniment and the embodiment of the theme status fully explained the importance of Jinghu accompaniment.The fifth part is through the above analysis of Xu Lanyuan's accompaniment skills and musical form,summing up Xu Lanyuan's accompaniment with the aesthetic character.First of all,analyze the style characteristics of Xu Lanyuan in Jinghu accompaniment,and summarize the aesthetic features of Xu Lanyuan's accompaniment style and characteristics.Jing Hu conveys the aesthetic charm of Peking Opera through its natural sound and changing melody.The sixth part is a theoretical summary of the value and influence of Xu Lanyuan's accompaniment.Xu Lanyuan's exquisite accompaniment skills provide a powerful reference for future generations in learning,and provide a good research material for the study and study of Jing Hu accompaniment,which has certain artistic value.As an accompanying accompanist,he played a unique function in Jinghu Art,formed his own style in his career of Jinghu,and set an example for Jinghu's accompaniment and innovation,and had a profound influence on the future accompaniment of Jinghu.At the same time,he has had a profound influence in Beijing Opera Music Design and Jinghu accompaniment innovation.He has cultivated many excellent talents and made outstanding contributions to the development of Peking Opera.