A Stuay On The Polyphonic Thinking In Huang Zi's Music Creation

Huang Zi is one of the most important composers in modern China,and he is also an outstanding music theorist and music educator in the early stage of our country.His contribution to music creation and education has directly promoted the progress of the whole Chinese music and development.As the first person to study western music in modern China,he introduced western professional composition techniques into China,and combined with the nationalization of Chinese poetry,folk song music and so on.We always insist on exploring and creating new nationalized music with Chinese characteristics.Many achievements have been made in the research of Huang Zi's musical works,most of which are from the aspects of harmony,form and melody,however the comprehensive research on polyphony writing techniques in his music creation is rare.Therefore,the research center of this paper is the polyphonic writing thinking in the music creation of Huang Zi.To try and analyze the general law of polyphonic writing thinking and its influence on the future generations as well as the historical significance of the present from a large number of his works.Based on the analysis of Huang Zi's music works,this paper abstracts out the types of polyphonic techniques used,and sums up the-basic law of thinking of Huang's polyphony writing.The full text is divided into the following parts:The introduction part includes the reason and significance of the topic,the definition of the scope,the research methods used and the innovation.The first part traces the origin of the thinking of Huang Zi polyphonic music.The second part is the study of Huang's polyphonic technique and the application of polyphonic genre.The third part is the exploration of the nationalization of Huangzi polyphonic music thinking and its influence on later generations.Thus the basic framework of this paper is formed in.order to obtain the achievements of the nationalization of the early polyphony music in China.