From "I" To "All Living Beings"--A Study On The Transformation Of Fang Lijun's Painting Images(1993-2011)

Fang Lijun,as an important representative in the history of Chinese contemporary art,is the leading figure in the new art trend in China.Their generation has absorbed the nutrition of postmodernism since the 1960s,and has been impacted by the mass culture in modern cities.These artists are eager to express themselves that art is no longer the exclusive preserve of the aristocracy,and is no longer the mysterious thing that dominates people's life and life.In this big trend,Fang Lijun has his own unique way of expression.In western philosophy,the value of individual survival is more emphasized,and Chinese society was once filled with the pursuit of life enjoyment.Fang Lijun uses the same face and bald head to tell the "truth" that he pursues.Would rather be regarded as boring,crisis,confused,also need to use their own shrewdness to express this realistic society.In recent years,he seems to have precipitated some of the new changes that have made him a meaningful case again.This paper intercepts the works of Fang Lijun from 1993 to 2011,and divides the period into three periods.Works with phase change as the main line,with changes of supporting the phenomenon of image transformation,to appear in the works of Fang Lijun"I","us" and "living beings",individual and collective life and universal for key words,probe into the change of Fang Lijun painting image brings to the society and the Chinese contemporary art new visual sense.This paper is divided into four chapters:the first chapter introduces and analyzes the background of Fang Lijun's image transformation,and explains the origin of Fang Lijun's creation and the particularity of his art.The second chapter is the focus of this article,respectively discuss Fang Lijun "I",the meaning of "we","living beings" image,how to from the "I" to the collective,to focus on "being",as well as the understanding of life;The third chapter analyzes Fang Lijun's "sentient beings" image,and analyzes the style and hidden meaning of Fang Lijun's works from the perspective of iconography.The fourth chapter is about the universal phenomenon of life and the question of freedom and equality under the theme of "sentient beings".Entire article from the era of big,Fang Lijun personal works behind the philosophical thoughts,reoccupy image study and interpretation of his works from the point of view of philosophy,in order to jump out once upon a time for him to play the ruffian perspectives,find new research significance.