| As a practical leaning ideologist,statesman,Confucian scholar and educator in the late Choson Dynasty of the 18,19th century,Ding Ruoyong had many accomplishments in philosophy,literature,astronomy,agriculture,economic,politics,military,art and so on.In a word,,he drawn a sum of ink in the history of Choson Dynasty as a well-deserved academic synthesizer.In term of music,Ding Ruoyong's musical thought are mainly concentrated in his classic writing,"YueShuGuCun".This thesis is treat the writing as the research object to explore the music theory,which were recorded in the Chinese ancient books,faced the dispute of Ding Ruoyong's writing in the 18,19th century.and analyze the causes of the dispute from the historical background of that time,and then study the musical thought of Ding Ruoyong on the whole.This thesis is divided into three chapters.The first chapter mainly introduces the life of Ding Ruoyong and the compiling background of his book,including the political background and cultural background.The second chapter is treat the writing"YueShuGuCun" as the research object to investigate its version and compiling style,to carry out a detailed text interpretation of its main content at the same time.The third chapter,based on the second chapter,I write it so that we can comprehend Ding Ruoyong's musical thought and then catch the historical background which lead to his musical through via the writing "YueShuGuCun".The writing "YueShuGuCun" taken the Chinese ancient music theory as the research object,meanwhile,I just take the writing as the research object in this thesis,I will make a textual research on the musical theory which disputed in the writing"YueShuGuCun",dispel the complexity of history mystery so that we can make a clear distinction between right and wrong in the Chinese ancient old scriptures by the research approach of literature analysis,comparative research and cultural transmission,of course,the precondition is that we should respect the historical limitations. |
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