The Research On The Calligraphy Of Wan Jing

The early period of the Qing Dynasty was a period of reform in the history of Chinese Calligraphy,inverse of the academic thought and values,prosperity of the textual research of gold and stone,the decline of the development of calligraphy,indicate the arrival of a new situation in calligraphy,in this environment the official script appeared on the historical stage again stealthily,opened the gate of the stele in the Qing Dynasty.At this turning stage,it studys the calligraphy as to the identity of history scholars,try to imitate the Han Dynasty Li,and write a opus Fen Li Ou Cun two volumes,it is a rare book theory writtings in the early Qing Dynasty,his comprehensive achievements in creation and theory have laid the foundation for the prosperity of stele Qing Dynasty.This article takes Fen Li Ou Cun as the breakthrough point,the calligraphy style and the book thought of Wan Jing are analyzed.First,under the great historical and cultural background of the early Qing Dynasty,research detaily by the friends group and long tradition of learning,as a theme subject to the rich learning of Wan Jing,discuss the method of learning of trace to the source about Wan Jing.Secondly,The origin of Book Science traced to Wan Jing,imitate the Fu Zheng and Shao Yuan of the Eastern Han Dynastyas the dividing line,the style of his calligraphy is divided into two phases early and later simply,early hideitsu flying style is a continuation of Fu Zheng calligraphy,then involved widely Han stele,taking the monument of Cao Quan as a purpose,assume a simple and classic elegance appearance.Oncr more,via load one’s pages with references,discuss detaily the relationship between the eight points,official script,regular script in the Fen Li Ou Cun,research the actual style of the corresponding under scrip’S name since the Han and Tang Dynasties;According to the different style,it is divided into "still old-fashioned" and "brilliant deportment" two types,he reveals the aesthetic tendency of antique aesthetic trend in the evaluation of "still old-fashioned" Han stele,and it made a clear proposition thatofficial script imitate the Han Dynasty directly,and provides a strong theoretical support for it,all these are the embodiment of the ideas of Confucian classics which subject to the truth,the position of Wan Jing in the history of calligraphy in the early Qing Dynasty was established.Finally,according to the double harvest of Wan Jing official script creation and theoretical research,analysis of his influence on stele of period Qian Jia and enlightenment on modern script creation,especially Wan Jing pay more attention to Han Dynasty calligraphy,give guidance of theory to the author of the script creation.This article attempts to make an whole consideration of the WAN Jing calligraphy as a objective method,from Wan Jing’s person to Wan Jing’s book,to its thought of Confucian classics,it shows that it is a complementary problem,its book theory provides a theoretical basis for the style of calligraphy,at the same time,the style of calligraphy also reflect his book thought,an interpretation of the philosophy of calligraphy "book were a man".In the angle of the history of the development of calligraphy,the Fen Li Ou Cun has been affirmed,to clarify the sequence of thought development of the Qing Dynasty official script,in order to make the present calligrapher can reference for predecessors,thus there is a more sober understanding of the creation of calligraphy.