A Study Of "Self Expression" And "Other Expression" In Chinese Minority Films

The movie of ethnic minority is a unique movie type based on China’s national conditions.Its strong national theme and distinctive national characteristics became the most Chinese movie types.Since the birth of the first Chinese minority theme movie "the victory of the people of Inner Mongolia",this kind of film have gone through 67 years.With the change of the times and the development of the society,the Chinese minority films have also shown a trend of pluralistic development from all aspects.After seventeen years of ethnic minority films,especially since 2000,a large number of ethnic minority film producers of ethnic minorities in China have emerged.Because of the openness of national policies and the continuous improvement of cultural and artistic literacy of ethnic groups,more and more minority directors and playwright appear in the public view.The identity of minority filmmakers because of its unique national identity,the national culture has a more thorough understanding,has its unique artistic charm in the works of the present.This paper aims to study the influence of China minority film makers of national identity for their works,according to the makers of national identity,the Chinese minority film is divided into "Self-expression" and "Others-expression" works,analysis of the period two movie showing a different way of expression,focusing on the two movie in language,theme selection,film music and other aspects of the similarities and differences.