| This paper studies the literary possibility of Blanchot in order to reveal Blanchot’s silent and secret literary view through the analysis and discussion of different dimensions and works.Blanchot,as the darkness of French literature in the 20 th century,has long hidden behind literature and devoted his whole life to literature and its silence.He regarded literature as a serious philosophical problem and kept literature inside.Blanchot always revolved around the proposition of "how literature is possible" in his path of literary exploration.His long and continuous thinking on the possibility of literature influenced a large number of post-structuralist theorists,such as Foucault,Derrida,Roland Bart and so on.Influenced by the theories of Levinas and Hegel,Blanchhot put forward such core concepts as "another night","dying" and "outside" to make the possibility of literature impossible.Literature,as an endless conversation,ultimately points to ambiguity.Gazing at literature in the dark and writing in the hands of the night,he wrote the author,reader and loneliness in the dark.The current literature is more directed at criticism and interpretation,consuming more than the production of works,ignoring the creation and writing of the works themselves.Blanchot’s works embody a kind of literary theory of "anti-literary theory".Make literature a work rather than a mere object.This paper discusses Blanchot’s literary view from the aspects of night,language,death and writing.The first chapter links death and literature from night dialectics night and day as images running through Blanchot’s works.In the dark night,the source of literature and art is close to the endless "another night",and the myth of Orpheus is the symbol of Blanchot’s relationship between the work and its origin.Chapter two,through the negation and obscurity of language,thinks that language is not only the reproduction of literature,but also the concept language as the object of writing.In Blanchot’s view,conceptual language is a double absence of ideas and objects,and literary language requires such absence.Complete experience.The third chapter establishes the death space of literature,and the death changes from the philosophical possibility to the impossibility of dying.After meeting the other,the author’s subjectivity is deprived,and the writing subject changes from "I" to "who".Chapter four points the possibility of literature to writing and discusses Blanchot’s outside thought and writing theory from three aspects.Only when literature goes outside can it reach the impossible source,which is untouchable and uncertain of the night.The moment of writing is closest to death,which is the origin of art,and the work is written through the reader’s ability to read.Become a real work.The literary space built by Blanchot is a possible external world to death by writing and reading.The anonymity of the author and his works makes the language return to itself to form an independent meaning world.Literature is also approaching the origin and inner depth of literature through the outside.Brown Shaw’s theory of literary possibility,based on the inward vision,on the basis of death and subjectivity,provides us with a new direction different from the traditional literary theory on the basis of the inward view on the theory of death and subjectivity. |
