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Study Of Multi-lingual Language In Gongbi Painting

Posted on:2019-10-06Degree:MasterType:Thesis
Country:ChinaCandidate:J WuFull Text:PDF
GTID:2405330545987785Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Gongbi painting occupies an extremely important position in the history of Chinese painting.Its development also has a long history.It has left behind many outstanding works of art and created countless artistic masters.As early as 6,000 years ago in the neolithic pottery of the Neolithic Age,there was a simple and primitive human-faced fish head.Meticulous figure paintings,as one of the painting arts,also have their own development laws.Many years ago,the meticulous paintings began to mature.The creation of Chinese Meticulous figure paintings breaks through the aesthetic model of the past.There are a large number of works of figure paintings of different styles emerging in the Chinese painting circle with a new attitude.There has been a new creative development climax in melodic figures.It has been very different from the traditional melodic figure paintings.He has taken open postures to draw on watercolors,oil paintings,murals,prints,and craft designs.He also learned from Japan's Ukiyoe,Western Impressionists,and modernists.It is also inclusive.Folk wood paintings,ethnic customs and decorative patterns to enrich themselves.Although traditional meticulous paintings are in their own artistic language form,they occupy a unique position in the history of the world art.However,with the changes of the times and the influence of multiple cultures,as a traditional Chinese art,the meticulous figure paintings must be sustained and developed,and must be actively developed to become modern.Inevitably,innovation will inevitably weaken the tradition.In contemporary brushwork figure paintings,it is difficult for us to capture the shadow of a traditional fine brush figure,but it is not broken.Tradition is history after all.Its classics are not continuation of the contemporary rigid inheritance.We cannot possibly stay in the tradition.In the past,the development of contemporary meticulous figure paintings has broken through the traditional model of meticulous characters and made daring attempts.In the final analysis,although meticulous painting is an ancient painting,it is still the expression used by painters to express self-emotions and artistic pursuits.The effect of the painting is what the artistultimately pursues.The painters are different according to their own the aesthetic tends to choose the expression and art language that suits oneself.However,traditional techniques can no longer satisfy people's pursuit of art in this era.Therefore,the diversity of contemporary artistic language of the brushwork figure is also formed.This study studied the inheritance and development of the traditional Chinese meteor figure paintings through the study of the diversity of the language of traditional Chinese melodic figure paintings.The full text successively adopted the composition form of the traditional mehndi figure paintings and the contemporary meik figure paintings from the meikbi figure paintings.The three major aspects of the use of diversity linearity and imagery were compared and analyzed.This article elaborates on the expressions of various languages ??in Chinese traditional meticulous figure paintings and contemporary meticulous figure paintings.It analyzes in detail the contemporary meticulous figure paintings inheriting the traditional meticulous figure paintings,and also from the aspects of composition form,image color,etc.Explaining traditional and contemporary meticulous figure paintings with certain limitations.
Keywords/Search Tags:Gongbi painting, figure painting, diversity, language, research
PDF Full Text Request
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