Creation And Practice Of "Fang Ying Shu Yun" Series Of Fine-brush Bird-and-flower Paintings

Chinese fine-brush bird-and-flower painting is one of the important kinds of Chinese traditional paintings,which germinated in the Warring States period,matured during the period of Five Dynasties,peaked in the Song Dynasty.After going through thousands of years of development and evolution,it has unique linguistic features,like a dazzling pearl in the long history of art.The subjects of Chinese traditional bird-and-flower painting are quite extensive,including flowers,birds,insects,fish,and animals as well.In this era of rapid development,the language of paintings has become diversified.At the same time,the traditional fine-brush bird-and-flower painting is influenced by the idea of Western painting,then,Chinese bird-and-flower painters fuse the theory of Chinese and western painting,no longer limited themselves to the traditional painting skills and forms to make a breakthrough and innovation to the Chinese traditional paintings,creating fine-brush bird-and-flower paintings of this times.Afterwards,there are a forest of talents and masters working for it.All these provide a good basis and reference for our future creation.This article mainly discusses what is about my creation experience and practice of " Fang Ying Shu Yun" series of fine-brush bird-and-flower paintings,going through the analysis of the linguistic features of the traditional fine-brush bird-and-flower paintings,and combining with modern painting language to study and use what I have learned to my own painting creation.This paper describes it from four chapters,the first is mainly about the theme of " Fang ying Shu yun" series of fine-brush bird-and-flower paintings;The second the source of emotion and thought;The third the creation process;The fourth summarizes my feelings of creation.