Category Study In Ancient Theory Of Literature About "Wild"

The category of the “Wild” in Chinese ancient literary theory is the different aesthetic,which is not equal to “Wen” ” Li” “Elegant Legitimism”.The “Wild” is a different beauty in Chinese classical aesthetic category,though it forms a sense of alienation from the mainstream culture.It's the theoretical crystallization of the ancient literati creation and appreciation activities,which has an important significance in ancient literature and art and modern ecology aesthetics.This article mainly carries out research on the cultural connotation,development and evolution,aesthetic creation and value significance about the “Wild”.The first chapter probes the cultural connotation on the whole.The original meaning of the “Wild” is “the land of the suburbs and the wilderness”.After entering the cultural context,it derived out a variety of meanings.The main expression of “Wild” in cultural connotation is the two “Wild” of Confucianism and Taoism.Confucian's “Wild” is against “Li”,Taoist advocates freedom,whose interpreter is Zhuang Tzu.Mainly from three levels to interpret the “Wild”,which are as follows: expressing wild displaying nature,opening up the realm and presenting the “Tao” of the wild.Chapter two is to clarify the development and evolution of the “Wild”.The “Wild” is a comprehensive and complex aesthetic category,whose origin and evolution are as following: before the Wei,Jin,Northern and Southern Dynasties,the “Wild” as an aesthetic category gradually got into the literary and the meaning of the “Wild” more refers to the “rustic” and “unadorned”;in the Tang and Song Dynasties,it became the aesthetic category and emerged the “Sparse and Wild” and “Ye Yi” sub category,which embodies the spirit of the literati;in the Yuan,Ming and Qing Dynasties,the “Wild” aesthetic gradually formed and mature.The “Rustic Charm” has become one of the ancient literati psychological ascription,and “the wild beauty " was recognized.In Chapter three,the author focuses on the analysis of the the “Wild” and aesthetic creation with the help of textual fine reading.The “Wild” has been influenced on ancient aesthetic creation and aesthetic criticism.From the perspective of literary creation,the“Wild” influences on the psychology and specific creation activities of writers.The literati's soul is belong to the “Wild”,so as to settle life,fill their heart,sublimate personality,and go into a state of tranquility.Moreover,in the “Wild”,the writer can find infinite “Rustic Charm” to benefit to create.Starting from the critical level,the “Wild” in the ancient literary works and essays poetry criticism has become the category of literary criticism.Yin Fan marks the “Wild type”,which is the best example of the “Wild” as a literary criticism.The last chapter elaborate the ancient value and modern significance of “Wild”.The “Wild”,not only has its theoretical significance,but also has its practical significance.It is fit for the ancient literati's psychology,and to some extent,enriching the ancient Chinese literary theory and aesthetic style.In terms of its modern meaning,regardless of the ecological aesthetics in literary theory,or in all aspects of modern tourism,architecture,design,garden and so on,there is the “Wild” pursuit.