Dry Get Dense Ying

Dai Benxiao's landscape painting has distinct personality,and is a very strong independent exploration spirit of the painters.In the use of pen and ink language to express the image,not only study the tradition,but also pay attention to the true feelings after the observation of nature,emphasize "I use my method",use the pen and ink in my heart to talk with the mountains and rivers.Constantly refine the ink and wash language from the true mountain water enriches the ways and means of representing the image.In his sketchbook landscapes,he used dry brushes and thirsty ink,and his personal style was obvious.Through the interpretation and analysis of the language of Dai Benxiao's landscape pen and ink,the author thinks that it can be combined with the Chinese traditional culture in writing the pen.In comparison with a large number of works,the pen and ink language of the landscape of the sketchbook page is straight out,the traces of exploration are more obvious,and the material and pen and ink experience are accumulated for the large works.With the pen and ink of "Ying Ying Yun Yun",we deal with the false and the real,and leave blank.The picture is pale and moist and simple,so as to seek the image of Archaean and Hong Meng.The language of painting and painting of Dai Benxiao's sketchbook page is derived from the tradition,and it is constantly refined from the sketchbook,and it has been made by the teacher of his own heart.The way of his painting art has provided a reference for the present study and creation.