Chinese Contemporary Chinese Ink And "Montage" Language

"Montage" in twentieth Century after the birth of some of the film,the first original architecture,meaning,assembly.But the montage technique in ancient Chinese and foreign paintings in the actual.Today's "montage" collage and juxtaposition is flexibly applied to Chinese contemporary ink and ink,becoming a new display technique,broadening people's cognitive experience and enriching the performance of the traditional art style.This article mainly discusses the application of "montage" in Chinese Contemporary Chinese ink and ink.First,it expounds the background,status and significance of the "montage" language in painting,and then further compares the painting of "montage" language from three aspects with the general painting."Qi" has made further distinction,such as opposites collage,hybridity collage,metaphorical collage,image collage,performance collage.Through the discussion of the "montage" language,the aim is to further expand the creative thinking of painting.From the perspective of "montage" thinking,the interpretation and practice of modern ink and wash are constructed by multi dimension.The use of "montage" language also makes us break through the inherent thinking,break the inertia of the visual experience,from a divergent thinking way to think of art,creative art.The generation of meaning behind painting and expression of painting meaning,thoughts and feelings are no longer linear,but multidimensional.The existence of image symbols depends on different visual experience and aesthetic breakthroughs.No matter from the practitioner of art to the work itself,or to the audience,it brings different degrees of influence.It has injected new strength to the development and inheritance of traditional ink and wash,and has also expanded the possibility of future forms of ink and wash.