| The image space presented by the film is a reconstructed space through the mirror language,which is constructed from the space of the picture lattice,the picture space,the image space,the narrative space and so on.Image space is not only for the real space in the visual simple copy restore,as can be referred to the display on the screen,must reveal the director through the space given by the meaning.Focus on the selection,modelling and combination of space in the image space,pay attention to the relationship between people in the space,explore the image style of Wong Kar-wai’s film Creation through space,this is the starting point of this paper.This article mainly chooses "As Tears Go by"(1988),"Days of Being Wild"(1990),"Chungking Express"(1994),"Ashes of Time"(1994),"Fallen Angels"(1995),"Happy Together"(1997),"The Mood for Love"(2000),"2046"(2004)and "The Grandmaster"(2013)as the object of study,the full text is divided into three chapters:The first chapter "The Real space of Wang Jiawei film" is based on Wang Jiawei’s creation and living space,combining with the cultural context of Hong Kong,discovering the interest of the realistic space under the director’s vision,exploring the urban image and cultural connotation,and the reflection and interaction between the film and social culture.The second chapter,"The Lens space of Wang Jiawei’s film",focuses on the space of sound painting in the lens,and discusses how the image space of Wang Jiawei’s film is through the visual elements such as scene,movement,angle,color and light.Try to classify the many different spaces in the film and explore the originality of Wong Kar-wai in space modelling.The third chapter "the narration and space of Wang Jiawei " is from the angle of space narration,through the analysis of the language,the angle of view,the time of space,the space of time and the non-linear narration strategy in Wang Jiawei’s film,this paper expounds the postmodernism features of Wang Kar’s film narration. |
