The Aesthetic Characteristics Of Witchcraft In Hunan's Poetry Since The New Period

In essence,Chinese modern poetry is born in the modern context of learning from western poetry.Individual liberation is an important theme of the modern literature,including modern poetry.With the rise of the national discourse,the political ideology of modern Chinese poetry has been continuously strengthened and reached its peak in the 50-70 century of the last century.Since the beginning of the new period in 80 s,with the emergence of a major social transformation,the literary theme of human liberation has received extensive attention.The folk personality,cultural tradition and regional quality have become an important resource for the expression of personality.Since the new period,Hunan poets,adhering to the unique personality of Hunan people,show unique pursuit in poetry creation,which is the witchcraft aesthetic which is closely related to the strong and strong witch culture in Hunan region.Since ancient times,the witch culture in Hunan has prevailed,and the witch culture is an important part of Huxiang culture.The source of Huxiang culture is Chu culture.The romantic tradition of Chu culture has a direct relationship with the Witch and witchcraft culture,which prevails in the Chu area.Hunan poets,facing the original folk resources that have never disappeared,combine the strange witchcraft thinking with the aesthetic of poetry,which makes the Hunan poetry in the new period show obvious witchcraft aesthetic characteristics on the whole.This characteristic is expressed in the narratives of passion for events,passion for the indulgence of signifiers and the creation of exaggerated images.In addition to the introduction and conclusion,this paper is divided into three chapters:The exordium defines the "witch" and "witch culture" in theory,combs the origin and development of the witch culture in Hunan,and the influence on the spiritual culture,poets and poetry,and affirms the possibility of the return of the witch culture in the Hunan poetry in the new period,and provides a literary background for the later study.In the first chapter,under the impregnable and unusual folk witchcraft and witchcraft,the Hunan poets are psychologically sensitive and curious about the strange things and are keen on the narration of the strange events,and make the mystical sense of poetry through the form of the whole narrative or interspersed.Three aspects of the subject,the phantom or the subject with the ghostly character,the narrative mode of passing through and the action action to promote the progress of the event are examined.In the second chapter,witchcraft relies on the magic of language itself to achieve its magical effect in folk beliefs.The nouns of language such as meaning,rhyme,rhythm and other languages make the witch mantra powerful.The language of Hunan's poetry is like magic mantra.It uses the inertia of the language itself to roll,the context and the way of discourse,the random switching of language and speech,the random accumulation of noun adjectives,and the construction of a indulgent speech world.In the third chapter,witchcraft ritual is a way to enter the mysterious world by breaking away from daily life.In witchcraft ceremony,the expression,behavior,language,decoration and performance scenes of the wizard are extremely exaggerated.The most basic way for Hunan poets to break away from daily life is to exaggerate their daily life.In the new period of Hunan poetry,the exaggeration of images is reflected in twisted expressions,strange costumes and mysterious environments.The epilogue summarizes the distinctive characteristics of witchcraft aesthetics in Hunan poetry since the new period,and points out the significance and limitations of witchcraft aesthetics in Hunan poetry.