| As a master of poetic photographer,Long Chin-san's artistic works are known to all.He devotes his whole life to creating “amazing” photographic works,while the existing denounce to him is concentrated on this point,believing that he doesn't care about the reality.Especially,when people find that a large number of photos he took in the anti-war period are still about scenic landscape,he is criticized to be out of patriotism.However,through the author's research,the landscape photography not only selects purely natural views,not only directing pleasure,not only on the purpose of visual joy.As an important embodiment to establish “imaginary community”,landscape carries the viewer's memory and recognition to the community.The distortion and defamation of Chinese image from western colonic films has brought Long Chin-san the visual impingement,plus the love to photography influenced by his father,which opens a constructional road of visual subject.So he has started to resist the right attention of colonists by photography.The magnificent landscape he shoots and the various signals of Chinese traditional culture used in the collection photography are his recognition to own identity,to own national ity,carrying his patriotism,being his good wish to seek ethnic esteem and memorize t he late literary world.Likewise,what can't be ignored is,like many patriots at that time,the nationality recognition Long Chin-san extremely tries to construct has right fallen as the western colonists' imagination to “others”.In this context,his efforts have failed.But,it's specific that he is definitely not the one escaping the world negati vely. |
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