A Research Into The Evolution Of The Artistic Style Of Films Directed By Xu Anhua

As an important figure in the Chinese film director’s circle,Xu Anhua has been dedicated to combining the artistic and commercial values ??of films,traditional and modern films,Hong Kong native films and global movies in his nearly forty years of directing career.perfect.As a local director in Hong Kong,her film has a very distinctive regional imprint and is filled with strong Hong Kong awareness and Hong Kong sentiment.The ever-increasing material life does not satisfy people’s spiritual needs and spiritual desires.Therefore,when thinking about the meaning of the value of life and the value of human existence,the expression of art is particularly important.Xu Anhua’s film restores the true relationship between people and cities,and records familiar experiences in the field,vivid cultural memories,a strong atmosphere of life,and the city’s bottom and marginal space under the lens of humanistic feelings.We can understand and reflect its transcendental meaning and universal value from the humanistic sentiments and humanitarian spirit reflected in its focus and film creation concept.Through combing and presenting the selection of movie themes in different periods and the pursuit of artistic style,aesthetic value,and cultural characterization,the author’s understanding of the true qualities of director Xu Anhua has led us to awaken to our common experience of human existence and to our cultural identity.Reflection and recognition.This paper is mainly divided into the following sections:The introduction part mainly focuses on the study of origin and background,research status and methods.Through learning,drawing lessons from and pondering on existing research results,it makes a general evaluation and finally explains the value and significance of the research.The first chapter uses space as the dimension and time as the basis.It combines Hong Kong’s cultural characteristics with the spirit of the city.It mainly sorts out the development process and the trajectory of Xu Anhua,that is,the first text and the second text,and restores the specific context of Xu Anhua’s film creation.Consider the connection between his filmmaking career and the urban space of Hong Kong.We will consider the experience of the region,the nostalgic daily life space,and thedrifting of floating space in other places as a perspective for thinking about the relationship between movies,cities,and culture.We will examine the significance of the cultural representation in the films and the writing of Hong Kong’s urban space.The second chapter starts from the social context of the era of Xu Anhua’s film and reviews Xu Anhua’s more than 30 years of film creation,in-depth analysis of her representative works,and summarizes what she did in different stages of filming art and film subjects.Series of attempts,changes in the theme of creation and ideas,successful experiences and lessons learned from failure,It reveals the unique charm of his works,which emphasizes both the artistic quality and the content of the times,and highlights the characteristics and achievements of her film road.The third chapter analyzes and thinks about the artistic style and aesthetic value of Xu Anhua’s film creation.It analyzes the hidden characteristics of seemingly disorderly movies,explores the inner relationship between the pursuit of the director’s inherent aesthetics and aesthetics,the narrative approach,and the external image expression techniques.It grasps and views most of the works,and combs them out from the outside world.The film style and aesthetic value of the film works.The fourth chapter mainly discusses the value and significance of Xu Anhua’s films.As an ideological director,Xu Anhua calmly looks at the world with compassion and compassion,objectively records the fate of the person through the lens,and always persists in his thinking on identity and the search for his homeland.His film represents identity and the rejection of the national imagination from fear to stability.The process of recognition showed the perfect combination of the recognition of the state’s mainstream ideology and the continuous feeling of Hong Kong in Xu Anhua’s personal creation.