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Study On The Pattern And Technique Of The Lacquer Wares Of The Yongle And Xuande Reigns Of China's Ming Dynasty

Posted on:2019-11-01Degree:MasterType:Thesis
Country:ChinaCandidate:T Y LiuFull Text:PDF
GTID:2405330545479642Subject:Fine arts
Abstract/Summary:PDF Full Text Request
The historians generally believed that the Yongle to the Xuan and the three dynasties were the heyday of the social development of the Ming Dynasty,and the comprehensive national strength is in the leading position in the world.In the three dynasties,Chinese lacquer art has also been developing rapidly,forming second peaks in lacquer art history,and lacquer is the most representative.The economic prosperity of Yongle and Xuande provides a good material foundation for the development of carved lacquerware.Unlike the cultural dictatorship of Hongwu Period,Yongxuan's cultural policy is relatively loose,and its specific response is relatively flexible in carving out artists' management policies.Through the literature of the rake,this paper analyzes how the social and cultural environment and the specific changes in the handicraft policy affect the number of the carved lacquer,the state of existence and the enthusiasm for production.This paper,based on the "Ming Shi Lu",the notes of the scholars in the late Ming and the early Qing Dynasty,and the research results of contemporary scholars,has also conducted an open exploration to whether the "Guo Yuan Chang" is the official workshop for the early Ming Dynasty.The Yongle and Xuande era carved lacquerware grain are mainly birds and flowers,figures,loong-and-phoenix three categories,and the character pattern,this article mainly analyzes the painting of flowers and birds and drain from choose the most representative peony pattern and the design of living with plum and crane as a case study,study the form elements,compositions,carving technique,and to further explore the images of the social cultural environment and the cultural implication behind the image.Starting from the practice of Beijing lacquer,this paper also focuses on the evolution of the typical patterns and carving techniques of Yongxuan lacquer in the present painting design,and makes an outlook on how to inherit the art of Yongxuan lacquer creatively.
Keywords/Search Tags:Yongle and Xuande lacquer wares, Handicraft industry policy, Pattern, Carving craft, Innovation
PDF Full Text Request
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