The Relationship Between The Emotional And Technical Language Of The Rembrandt Portrait In Seventeenth Century

Nowadays,painting circles pay more and more attention to the expression of inner feelings in paintings.However,how to better represent the painters' thoughts through paintings or dull or dark is always the goal of painters.I think that,in order to better through the paintings show emotion,first of all,the artist selected paintings must have a sense of touch,let the heart.Secondly,the mature painting technique is also the key to the painter to better express the emotion.In seventeenth Century,Rembrandt,the master of Holland painting,created a lot of paintings full of emotion with his skillful painting techniques combined with his life experience.Historically,Rembrandt is the greatest painter in the history of painting in Holland.He created the golden age of Holland.Its status is equal to Renaissance craftsmen and has a very important influence on the development of painting in Europe and the whole world.Despite the frustrations of life,he always adhered to his painting concept and pursuit.His style of painting is extensive,and portraits,landscape paintings,genre paintings,religious paintings and historical paintings are all good at it,especially in the field of portrait painting.The painter depi-cts the characters of the machine's soul and soul with his own unique and varied painting ways,which shows the painter's profound painting skills and legendary life experience.This article is mainly based on the background of the times of Holland and the life experience of Rembrandt,to explore the relationship between the emotion and techniques of Rembrandt's portrait.By portraiture this special figure painting art form and stage dramatic painting techniques and combined with the author's life experience,we explore the author's psychological characteristics in the process of creation and the relationship between his portrait's emotion and techniques.The first chapter,the background of Holland in seventeenth Century,because at that time the economy and art are complementary,the economic development will promote the development of art,only in such a good economic background,the parties to provide basis for the growth of art master Rembrandt.The second chapter tells the story of Rembrandt in three different periods of life experiences,from the early middle age,success and failure begin to display talents,to his poor and lonely.To write this chapter,I think that understanding these can better let us understand the paintings of each period of Rembrandt.The third chapter describes the different emotional embodiment of Rembrandt's portraits at various periods.The fourth chapter is about Rembrandt on the painting techniques,while on Rembrandt's painting techniques are still not clear yet,but the author thinks,Rembrandt painting techniques or general with Western classical painting category,the author has studied western classical painting lessons before,with Rembrandt have been completed and unfinished paintings.The Rembrandt painting for a reasoning,and a copy of the method to a portrait of Rembrandt.The fifth chapter is about the influence of Renbrandt's painting techniques on his emotional expression.Through the processing of his painting and light and the application of his brush strokes,he further tells the relationship between technique and emotion.The painting of emotional expression is a mixed topic,everyone in Rembrandt's works reveal the emotional experience may not like.In this paper,the understanding of the emotional embodiment of Rembrandt's portraiture is based on the experience of Rembrandt's life,the understanding of his light and shadow and brushwork and the combination of related materials,which is not absolute.Based on the relationship between Rembrandt's portrait and emotion,the purpose of this paper is to demonstrate that skillful techniques can better promote emotional expression,and the technique is not the most important and indispensable in painting process.