Fighting And Discovery:Researches On Hu Feng's Practical Character In The Literature And Art Criticism

Hu Feng who holds the theories of “Fighting” and “Discovery” is a significant theorist in History of Modern Chinese Literature.And these two theories are always interpreted in his poetry,novels and films.As a theorist with a humanitarian compassion,he practices firmly the feature of fighting in the literary and art criticism,which emphasizes the fighting or combating of critics and writers.In a word,the critics and writers must firm treat the society and literature in the fighting way and even take efforts to implement practical significance and the practical of quality.Besides,he does not underlines to discover psychopathic being a slavery in the society,but also wakes up these enslaved people in the fighting literature and criticism.At the same time,The image of militant poet and critic is build through applying these critical words.The achievements of researches on the Hu Feng's Literary and Art criticism have obtained richly.But to explore the practical quality of his literary and art criticism displays a rich space.So the paper focuses on the ideology of practice about Marxist Literary and Art criticism,from this sight,constructing the practical quality of Hu Feng's literary and art criticism.And what is important is to find another way of spreading Marxist about the literary and art criticism in the China and offering a theoretical context.The first part of the paper is to explore Hu Feng's view of practice about the literary and art to build up theoretical basis of the paper,including to ascend the view of practice and the background of Hu Feng's view of practice,to draw the outline of strong realism personality in the literary and art criticism and the faithful feelings about “Wu Si”and absorption of the western literature theory,especially the absorption from the Marxist Literary Theory whose representative is Lenin.In fact,in this way to tidy the background of the paper.The second part to state respectively the practical of qualitywith “fighting” that is displayed in the writers.The first opinion is to specifically interpret the application of theory,such as displaying the character of “suffering” and“fighting” from the realistic writers who are at home and abroad.In the eyesight of discovery to make up the humanitarianism of realistic writers.The third capture is to explain the criticism about works including novels and poetry.The point is explain the quality of “discovery” in Hu Feng's criticism about works.In this criticism of novels is to save the people who get into psychopathic being a slavery in the society,to apply firmly to the economic principle and to state negotiate in the phenomenal nature.And in the criticism of the poetry is to stress the concept about fight--the character of the poetics and the precondition to be a poet.So the intention of to construct the criticism could be presented in the paper.The fourth part is to discuss the comparison from two critics groups.Hu Feng's criticism in the literary and art and the school of Zuo Yi criticism and the Jing.This part mainly states the differences between Hu Feng and Mao Dun and Zhou Yang in the realism,and the to state the similarities in the human between Zhu Guangqian and Li Jianwu,especially to keep an eye to realistic life.The fifth capture is about meaning and limitation of the current and present academia.Finally,concluding the practice viewpoint of Hu Feng and try to display the development of Marx's practice viewpoint in the Chinese literary and Art criticism.