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The Image Narration Of "Intangible Cultural Heritage" Documentary

Posted on:2019-07-05Degree:MasterType:Thesis
Country:ChinaCandidate:S C ZhouFull Text:PDF
GTID:2405330545472551Subject:Arts
Abstract/Summary:PDF Full Text Request
China has a long history and vast territory,and has more kinds of "intangible cultural heritage" than other countries.It contains the unique regional features and national temperament of the 56 ethnic groups in our country.Therefore,the protection of "intangible cultural heritage" is a long-term project.But each area is trying to declare the "intangible cultural heritage",while paying attention to the economic value it brings,which leads to the destruction of a large number of "intangible cultural heritage",and is facing an increasingly serious survival crisis.Taking root art as an example,some governments only focus on the economic development of the region,blindly exploiting the economic value of "intangible cultural heritage",but ignoring the protection of it.With the development of science and technology,some enterprises have used machines to make roots,instead of traditional handcrafts.This is the blind exploitation and utilization of the "intangible cultural heritage" by the government,but neglects the protection of it.Therefore,it is urgent to protect the "intangible cultural heritage".In order to protect and inherit it better,the state has issued a series of policies,and what kind of way to protect "intangible cultural heritage" is the first problem to be solved.In recent years,documentaries have become an effective measure to protect "intangible cultural heritage".Through the form of documentary,record the sound,image and the emotion of "intangible cultural heritage" inheritor,so that it can be retained all the time,so that people can more objectively and truly understand the "intangible cultural heritage".The "intangible cultural heritage" documentary not only saves the "intangible cultural heritage" in an effective form,but also enhances the state,society and people's awareness of the protection of "intangible cultural heritage",and is conducive to the spread and development of our culture.With the increasing awareness of "intangible cultural heritage" protection,the number of documentary films has been increasing day by day,but there have also been some problems.Some of the works are of a serious homogeneity,which can not highlight the unique regional customs and ethnic cultures.Some of the narrative methods and narrative techniques are too single to attract the audience's eyeballs.On the basis of protection and inheritance,the research on "intangible cultural heritage" in China should be focused on the protection and inheritance.Only on the basis of protection and inheritance should not be studied and explored only on its surface.Only the continuous innovation of the content and form of the "intangible cultural heritage" can make the "intangible cultural heritage" of our country better protected.At the same time,in the study of the film narration of the "intangible cultural heritage" documentary,it combines with the graduation design "Zhang Xigen and his Museum of art" to carry out the practical analysis,so as to realize the protection of the "intangible cultural heritage".The thesis is divided into five parts.The introduction includes the reasons and significance of the topic selection,literature review,research methods and innovations.The first part is the elaboration of the theoretical basis,mainly for the overview of the "intangible cultural heritage" documentary,including the development of "intangible cultural heritage" documentaries: The rise of "intangible cultural heritage" documentaries,the artistic characteristics of "intangible cultural heritage" documentaries,the status quo and problems of "intangible cultural heritage" documentaries;The value of documentaries to intangible cultural heritage: from oral tradition to image recording,extension of inheritance time and enhancement of protection consciousness.A comprehensive analysis of the development status and survival state of "intangible cultural heritage" is carried out.The second part of the paper analyzes the narrative angle of the "intangible cultural heritage" documentary from the flexibility of the omniscient perspective,the emotional expression of the internal perspective and the enhancement of the objectivity of the external perspective.The third part of the paper discusses the narrative mode of "intangible cultural heritage" documentary: the narrative way of the picture addition,the narrative presentation of the reproduction technique and the use of three narrative ways of oral history.The fourth part is the analysis of the narrative skills of the "intangible cultural heritage" documentary,including the attention of the suspense,the processing of the details,the deepening of the impression and the enhancement of the story narrative.Through the discussion of narrative techniques,the visibility of documentary films is increased.The last part is to analyze the narrative language of the "intangible cultural heritage" documentary,and improve the beauty of the picture by the lens language,the interpretation of the words,and the music and sound atmosphere to improve the creative level of the "intangible cultural heritage" documentary.
Keywords/Search Tags:"intangible cultural heritage", disappear, Protection, documentary, image narration
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