Study On The Artistic Features Of The "Qingyi" Of Xiangfu Tune In Henan Opera

Xiang Fu tune,the pioneer of "Henan Bangzi" in Henan Opera,originated in Kaifeng City of Henan Province.Since the "Henan Bangzi" was officially designated as "Henan Opera" in 1952,many schools and big cafes have been set up.The performance process has its own innovative features.There are many aspects of Henan opera,which are often summarized as "four life,four denier and four flower faces".Deniers are often divided into Zheng Dan(Tsing yi),Xiao Dan(Huadan and boudoir),Old Dan,Wudan,Dao Ma Dan,color Dan and so on.while the dignified and virtuous,loyal and kind "Qingyi" shows full character.They have "one singing and a sigh of General Customs" gentle and elegant,or "go to the field of the goose like the goose,return to the hands like holding the son,kneeling down can not show the neck" and other rigorous style.All of these cater to the unique aesthetic standards of Chinese feudal society,enrich the dramatic drama of the Henan opera,and have become a great attraction.They are also the important factors to attract the audience.Scholars at home and abroad have discussed less about the depth of "Xiang Fu tune",Chen Pai art and Tsing Yi in Henan opera.Among them,the article is about Xiang Fu and Chen Suzhen’s article: teacher Zhang Daxin in "some thinking about the history and present situation of the tune of Henan Opera Xiang Fu",discussed the rise and fall of the auspicious notes,the causes of its decline and put forward some ideas and suggestions for its revitalization and development;Wang Xiaodan’s "the bright star of Chinese drama,Henan Opera Xiang Fu";Fan Chunli’s "new opera of Xiang opera in Henan Opera","White Snake Legend";Zhang Qinghua’s "Henan Opera queen Chen Su Zhen" and so on.The articles about "Tsing Yi" are as follows: Zhou Qin’s "the water sleeve work in the Tsing Yi",Xie Guoxiang’s "talking about the Yu Zhou Feng",Wang Yanling’s "green dress and singing skills",Lu Guirong’s "the Tsing Yi talk of Beijing Opera",Huang Xianghong’s "Tsing Yi Hua Dan singing in Beijing Opera" and the training of students’ head singing skills,Li Yingying’s "water sleeve work in Tsing Yi performance",Tian Guo’s "analysis of the performing arts of Tsing Yi in Henan opera" and so on.The paper focuses on the diversity of the artistic features of the "Qingyi" taking "Yu Zhou Feng" as an example,which combines the experience and understanding of the rehearsal of the Chinese Opera Concert.The author studies on the relationship between the "Xiangfu Tune" and Chen Suzhen and the "ingenuity of Tsing Yi","rhyme white show","fine work" and "charm of dancing beauty" of Chen Suzhen’s opera.The paper is not only a phased summary of the graduate student’s study period,but also a 100 th anniversary worship to Mr.Chen Suzhen’s birthday.It is also the inheritance and development of the performance art of Henan opera.