Writing Mangshan In Tang Poetry

Tang poetry is the most dazzling pearl in the history of Chinese literature and the pinnacle of the history of C hinese poetry.There are many poets in the Tang Dynasty,the content of the remaining poetry is rich and colorful,the style has its own characte ristics,which shows the prosperity of poetry in a hundred flowers.Mangshan is a famous famo us mountain of Chinese culture.It has deep cultural background and glitters brilliantly in Chinese history.By studying Mangshan writing in Tang poetry,this paper aims to understand the connotation of Mangshan writing in Tang Dynasty,so as to feel the rich and profound thoughts and feelings of Tang people,and then to understand the regio nal culture of Heluo in Tang Dynasty.This paper is divided into five chapters.The introduction part is mainly about the background and significance of this paper,the summary of the writing of Mangshan in Tang Dynasty,and the research ideas and methods of this paper.C hapter 1.This part discusses the geographical location advantages of Mangshan,including the natural geographical and geological characteristics of Mangshan,as well as the general situation of ancient tombs on Mangshan and the reasons for many ancient tombs.C hapter 2,This part probes into the writing of Mangshan in poems before Tang Dynasty,combs the writing of Mangshan before Tang Dynasty,and analyzes the connotation of Mangshan.C hapter 3.It can be divided into four parts:Mangshan climbing poem,Mangshan funeral poem,Mangshan nostalgia poem,Mangshan hanging poem and so on.C hapter 4.It concretely analyzes the imagery and its connotation in Mangshan poetry of Tang Dynasty,including the image of pine and cypress and wild grass.Chapter 5.It is a case study of Bai Juyi Mangshan poetry,divided into two parts:Bai Juyi,Luoyang and Bai Juyi Mangshan writing,and deeply analyzed the influence of late residence in Luoyang on the personal thought of Bai Juyi and the consciousness of life and death reflected in Mangshan poetry.