| Intangible cultural heritage is a non-material form of traditional folk culture,which is closely related to people’s life,and is formed by generations.Chinese Guqin art was proclaimed as one of the Masterpieces of the Oral and Intangible Heritage of Humanity by UNESCO since 2003,the Guqin art Renaissance in the boom,behind the boom also led to a lot of thinking.In recent years,the country has implemented the strategy of strengthening the nation by culture,attaching great importance to the inheritance and protection of the cultural heritage.However,such a fundamental question of what the inheritance of intangible cultural heritage should be inherited has long been ambiguous.Taking Guqin art heritage in Fujian region as an example,this paper investigates the cultural inheritance of Fujian Guqin art by using the literature research method,the field investigation method and the case study method.Combining with the development background of the whole Chinese Guqin art,in the media sociology perspective,with the Stuart Hall’s theory of "the circle of culture",this paper analyzes the connection of the representations,identity,production,consumption and rules in the process of inheritance,and clarifies the similarities and differences between the similar concepts of "transmission" and "communication" in the cultural cycle.The author tries to answer the connotation and significance of the inheritance of intangible cultural heritage through using the dialectical analysis of the ancient and the new,the instrument and the Tao,the elegance and the vulgarity,the small minority and the mass,and the change and the invariable,hopefully this article can make the individuals clearly understand their role positioning in the process of transmission.Meanwhile,through such a theoretical model of cultural heritage,the relevant cultural disseminators can fully aware the advantages and disadvantages of cultural inheritance,better inherit and carry forward traditional culture to nurture people. |
