The Study Of Repeatability In Garcia Marquez’s Works

The "repeatability" in Garcia Marquez’s novels has been paid attention to by the researchers,but at present,much attention has been paid to the novel One Hundred Years of Solitude,which does not systematically study the "Repetition" of all his works.Therefore,it is of great value to analyze the "Repetition" in novels.Such as Love in the Time of Cholera,No One Writes to the Colonel,The Incredible Tragic Story of Pure Elentila and Her Cruel Grandmother,in addition to One Hundred Years of Solitude,and to explain the textual meaning and humanistic implication under the repeated narration by a holistic and systematic way..This article is composed of the introduction,the three chapter of the text and the conclusion.Introduction section.Firstly,we introduce the life and creation of Garcia Marquez,and combs the research situation of "repetition" problems in Marquez’s works at home and abroad,and then pointed out the lack of systematic research on"repetitiveness".Based on the repetitive studies,we have expressed concern about the study of "human"as the main body.The first chapter mainly divides the repetitive types in the works of Garcia Marquez.Among them,there are mainly four types of image repetition,theme repetition,form repetition,and plot repetition.In the repetition of image,it mainly focuses on the repetition of character names and characters,animal and plant images,and sentences.The theme repeats attention on the revolutionary imprints and reflections in the novel,the world of love,and the solitary diversity and waiting asymmetry.The repetitions are grasped from the patterns of preset,radiation,and spiral.At the same time,they also sort out the awakening and establishment of the sense of absurdity and the coexistence of absurdity and absurdity in the plot.The second chapter discusses the textual meaning of repeated narratives.Marquez uses repetition of this narrative technique to fully demonstrate the three-level text connotation.One is the aesthetic effect in different regions.It includes both the re-appreciation of the localized narratives of the "audience" of Latin America and the "exotic" recipients.The amazing experience of magical narrative.Secondly,it discusses the personality characteristics of Marquez’s repetitive discourse,which includes both the explicit and implicit states of repetition in texts and the "violence"and authenticity of narrative discourses.In addition,the existence of multiple dialogues in the text also makes the novel’s textual meanings cover the realities of Latin America.The third chapter discusses the concern of repetitiveness for humanistic implication.Since the core purport of literary creation should not avoid the "human"dimension,and the collision relationship between "human" and everything around it.Therefore,this chapter separately discusses the dualistic humanism of Marquez’s novels in the original color and the meaning of regression,the dualistic game of repeated construction and elimination,and the spiritual expression of the writer beyond the individual.Conclusion section,we summarize Marquez’s use of "repetitive" narrative discourse to achieve introspection and breakthrough.Among them,the reflection of not only the writer’s "revolutionary"writing also has the typical problems of Latin American literature,culture and even social history.The breakthrough is to guide the external attention to Latin America from a single literary "magic" to a more extensive The social "reality" shift in scope.It is undeniable that the research on literary""repetition"not only makes up for the gaps in past research,but also makes the literary "repetition" and life "repetition" achieve some sort of fit,and then gives people practical guidance.