Dubbing Research On Documentary From Oral Aesthetics Perspectives

Dubbing for documentaries is an important performance for oral spread and artistic creation;it is a process to exchange words into vocal languages.Though there are different opinions on documentary commentary home and abroad,some considers that commentary should not be the “voice of God”,making an arbitrary closed language environment,which should leave the imagination space for the audience.However,for documentary commentary dubbing,it is a composition with humanity flavor and aesthetic significance,and with its own research value and aesthetic flavor.Oral language is the initial path for emotion and information communications.The expression is flexible,formation can be multiple,and it has its lengths in expression,also being spread fast.Written language originates from the development of oral language,with compactness and criterion.The vertical feature of language is the premise and base of the beauty of oral language.Oral expression is emerged with the attitude and emotion.It starts from the voice,and goes to the hearing,and then arises the mental reaction of audience,finally expressed in the emotional changes of happiness,anger,sadness,and etc.Oral language spread penetrates from all aspects of our life.No matter communications in daily life,or languages after art processing,like modern drama,recite and dubbing,which all contain aesthetic implication.Therefore,documentary dubbing research from aesthetic perspective is of great importance on exhibiting oral language beauty and promoting oral language spread.This thesis is to illustrate and analysis the features of some documentary dubbing,and combining the writer's personal works,from the aesthetic perspective,following the aesthetic standard and art processing regulations and methods,to make research on the vocal beauty of documentary dubbing,and finally to improve the documentary commentary level and practice ability.