On The Ordering Of Architectural Space In The Pre-qin Period Of China

From the perspective of documentary or archaeological empirical observations,it is possible to draw the conclusion that the ancient Chinese architectural spatial order derives the corresponding standards from the norms of "ritual".Here,you can use the description in the Qing Dynasty’s "Chao Temple Palace Examination" to explain: "If you don’t know the system of the ancient palace,you can’t get it up and down.So the palace room can’t be tested." It fully shows that the patriarchal ritual system has long guided and standardized the people’s behavior in building the space for building renovation.It is the core foundation for the development of architectural form and determines the cultural tone of Chinese ancient architecture.The three rituals are precisely the giants of the culture of "ritual" in China.In ancient Chinese society,the influence of ritual and music culture on later generations is enormous.In ancient China,the practice and consolidation of ritual law was not only reflected in etiquette and sacrifice.In life,it has a huge influence on the shape,regulation and guidance of architecture.Because it is necessary to carry out the strict concept of ritual and law as the foundation of society,as the king and the human being,the largest figurative entity in daily life-architecture.In addition to its spatial function,architecture is also endowed with a symbol of ritual,including status and social paradigm.This is a cultural need and a political need.Based on the above reasons,the paper combines the original texts of the three rituals with the behaviors of the pre-Qin period of the pre-Qin period to carry out comparative research,trying to clarify the inextricable link between the two.Directly from the architectural vocabulary,according to the extraction and analysis of the architectural vocabulary in the three rituals,we can conclude that different architectural spaces have different uses in different occasions and different periods,and some gradually improve with development,and some gradually disappear..The first chapter introduces the research status of the three rituals and the general situation of this research.From the perspective of words and sentences,the second chapter sorts out the argumentation process of the pre-Qin architectural space from the aspects of architectural literature,architectural space,architectural scale and urban construction,and discovers the process of order and the development of ritual thought.The same line.The third and fourth chapters start from the level of ritual and music system,combined with archaeological examples for spatial analysis,and explore the order law of the architectural space in the pre-Qin period.The third chapter focuses on the layout of the layout from the single layout to the group layout.The fourth chapter is from the spatial orientation,from the origin and development of the orientation,and the subsequent customization to the final representational representation.The trajectory of its orderly development and the correspondence between the development of ritual and music culture.The fifth chapter takes "Yi Li Da Da Li" as an example.According to the ritual behavior in the text,the streamline diagram is restored,and then the orderly interpretation of the relevant space is carried out according to the behavior of the restoration behavior and its corresponding activity space.In summary,this paper starts with the original works of Sanli,combines the existing archaeological examples and related space restoration research to infer the ordering process of the pre-Qin architectural space,and verify the relevance of the two.